poem index

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Browse thousands of biographies of poets and poems, essays about poetry, and some of the most important books, anthologies, and textbooks about the art form ever written. Looking for something specific? Use the search bar above.

poems

poem
          1

The children of the Czar   
Played with a bouncing ball

In the May morning, in the Czar's garden,   
Tossing it back and forth.

It fell among the flowerbeds   
Or fled to the north gate.

A daylight moon hung up
In the Western sky, bald white.

Like Papa's face, said
poem

Never give all the heart, for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss;
For everything that's lovely is
But a brief, dreamy, kind delight.
O never give the heart

poem
I heard a Fly buzz – when I died –  
The Stillness in the Room
Was like the Stillness in the Air –  
Between the Heaves of Storm – 

The Eyes around – had wrung them dry –  
And Breaths were gathering firm
For that last Onset – when the King
Be witnessed – in the Room –  

I willed my

texts

text
Schools & Movements
2014

"Sometimes referred to as 'the artistic sister of the Black Power Movement,' the Black Arts Movement stands as the single most controversial moment in the history of African-American literature—possibly in American literature as a whole. Although it fundamentally changed American attitudes both toward the function and meaning of literature as well as the place of ethnic literature in English departments, African-American scholars as prominent as Henry Louis Gates, Jr., have deemed it the 'shortest and least successful' movement in African American cultural history." —"Black Creativity: On the Cutting Edge," Time (Oct. 10, 1994)

With roots in the Civil Rights Movement, Malcolm X and the Nation of Islam, and the Black Power Movement, Black Arts is usually dated from approximately 1960 to 1970. African American artists within the movement sought to create politically engaged work that explored the African American cultural and historical experience.

One of the most

text
Poetic Terms/Forms
2014

In April 2014 A Poet’s Glossary by Academy Chancellor Edward Hirsch was published. As Hirsch writes in the preface, “This book—one person’s work, a poet’s glossary—has grown, as if naturally, out of my lifelong interest in poetry, my curiosity about its vocabulary, its forms and genres, its histories and traditions, its classical, romantic, and modern movements, its various outlying groups, its small devices and large mysteries—how it works.” Each week we will feature a term and its definition from Hirsch’s new book. 

oral-formulaic method: Milman Parry (1902–1935) and his student Albert Lord (1912–1991) discovered and studied what they called the oral-formulaic method of oral epic singers in the Balkans. Their method has been variously referred to as “oral-traditional theory,” “the theory of Oral-Formulaic Composition,” and the “Parry-Lord theory.” Parry used his study of Balkan singers to address what was then called the “Homeric Question,” which circulated around the

text
from American Poets Magazine
2015

Irony certainly isn’t the first word that comes to mind when we think of the poems of Walt Whitman, whose vast, brilliant, and uneven body of work is more often characterized by terms like earnestness and sincerity, directness and plain speech. This most American of American poets invented, after all, free verse as we know it, and not just in terms of an open, conversational voice, presented in an arrangement on the page often determined by content rather than by strict measures.  His form mimics the process of thinking itself, and he allows the poem, in a markedly modern way, to grope toward meaning, using metaphor, image, analogy, and argument in ways quite unlike the dominant verse of his time. He gives a kind of breathing, seemingly spontaneous form to his questions, and thus his readers feel involved in a process of coming to knowledge, brought into an intimate relationship with at least a version of the speaker’s subjectivity. In this way he seems, along with his fellow

books

book
Poetry Book
2013
book
Poetry Book
2012
Writers Writing Dying by C.K. Williams
book
Textbook
1998
Sing the Sun Up