poem index

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Browse thousands of biographies of poets and poems, essays about poetry, and some of the most important books, anthologies, and textbooks about the art form ever written. Looking for something specific? Use the search bar above.

poems

poem
Is it winter again, is it cold again,
didn't Frank just slip on the ice,
didn't he heal, weren't the spring seeds planted

didn't the night end,
didn't the melting ice
flood the narrow gutters

wasn't my body
rescued, wasn't it safe

didn't the scar form, invisible
above the injury

terror
poem
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-
poem

after Lorde

Your body is not my pommel horse
nor my Olympic pool or diving board.
Your body is not my personal Internet
channel nor my timeline,
nor my warm Apollo spotlight.
Your body is not my award
gala. Your body is not my game—
preseason or

texts

text
Online Resources
2000

An Introduction to Langston Hughes

In Langston Hughes’s landmark essay, “The Negro Artist and the Racial Mountain,” first published in The Nation in 1926, he writes, “An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he must choose.” Freedom of creative expression, whether personal or collective, is one of the many legacies of Hughes, who has been called “the architect” of the black poetic tradition. He is certainly one of the world’s most universally beloved poets, read by children and teachers, scholars and poets, musicians and historians.

Langston Hughes became the voice of black America in the 1920s, when his first published poems brought him more than moderate success. Throughout his lifetime, his work encompassed both popular lyrical poems, and more controversial political work, especially during the thirties. He expressed a direct and sometimes even pessimistic approach to race relations, and he focused his

text
Poetic Terms/Forms
2014

In April 2014 A Poet’s Glossary by Academy Chancellor Edward Hirsch was published. As Hirsch writes in the preface, “This book—one person’s work, a poet’s glossary—has grown, as if naturally, out of my lifelong interest in poetry, my curiosity about its vocabulary, its forms and genres, its histories and traditions, its classical, romantic, and modern movements, its various outlying groups, its small devices and large mysteries—how it works.” Each week we will feature a term and its definition from Hirsch’s new book. 

nature poetry, nature in poetry: The natural world has been one of the recurring subjects of poetry, frequently the primary one, in every age and every country. Yet we cannot easily define nature, which, as Gary Snyder points out in his preface to No Nature (1992), “will not fulfill our conceptions or assumptions” and “will dodge our expectations and theoretical models.” Yet the urge to describe the natural world — its various landscapes, its changing seasons,

text
Poetic Terms/Forms
2014

In April 2014 A Poet’s Glossary by Academy Chancellor Edward Hirsch was published. As Hirsch writes in the preface, “This book—one person’s work, a poet’s glossary—has grown, as if naturally, out of my lifelong interest in poetry, my curiosity about its vocabulary, its forms and genres, its histories and traditions, its classical, romantic, and modern movements, its various outlying groups, its small devices and large mysteries—how it works.” Each week we will feature a term and its definition from Hirsch’s new book. 

stanza: The natural unit of the lyric: a group or sequence of lines arranged in a pattern. A stanzaic pattern is traditionally defined by the meter and rhyme scheme, considered repeatable throughout a work. A stanzaic poem uses white space to create temporal and visual pauses. The word stanza means “room” in Italian— “a station,” “a stopping place”—and each stanza in a poem is like a room in a house, a lyric dwelling place. “The Italian etymology,” Ernst

books

book
Anthology
2004
Isn't It Romantic: 100 Love Poems by Younger American Poets
book
Anthology
1994
Unsettling America: An Anthology of Contemporary Multicultural Poetry
book
Textbook
2014
A Poet's Glossary