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You compose first, then you listen for the reverberation.
While poetry remains as the primal foundation for my visual and literary work, I’m constantly analyzing its relationship to my ‘mixed-media’ identity, and I like Carrie Mae Weems’s words, “Sometimes my work needs to be photographic, sometimes it needs words, sometimes it needs to have a relationship with music, sometimes it needs all three and become a video projection.” There are endless creative decisions for each of us, linked to our needs as human beings.
As a poet who is also a photographer and painter, I find myself perpetually challenged by meditations on my blurred insider-outsider role as well as the tail-chasing dialectic of Subject-Object and Other. For me, poetry and photography, as mediums, exist as persistent spaces of discovery, shock, pleasure, risk, and joy. These spaces also contain voices, which can be intense, inaudible,