poem index

poems & poets

Search over 2,500 poet biographies, over 6,500 poems, as well as essays about poetry, and some of the most important books, anthologies, and textbooks about the art form ever written. To search by keyword, use the search bar above.

poems

poem

I am a shell. From me you shall not hear
The splendid tramplings of insistent drums,
The orbed gold of the viol’s voice that comes,
Heavy with radiance, languorous and clear.
Yet, if you hold me close against the ear,
A dim, far whisper rises clamorously,
The

poem
Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion;
poem

O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings; climb with me the steep,—
Nature’s observatory—whence the dell,
Its flowery slopes, its river’s crystal swell,
May seem a span; let me thy vigils keep
’Mongst boughs

texts

text
Schools & Movements
2014

"Sometimes referred to as 'the artistic sister of the Black Power Movement,' the Black Arts Movement stands as the single most controversial moment in the history of African-American literature—possibly in American literature as a whole. Although it fundamentally changed American attitudes both toward the function and meaning of literature as well as the place of ethnic literature in English departments, African-American scholars as prominent as Henry Louis Gates, Jr., have deemed it the 'shortest and least successful' movement in African American cultural history." —"Black Creativity: On the Cutting Edge," Time (Oct. 10, 1994)

With roots in the civil rights movement, Malcolm X and the Nation of Islam, and the Black Power movement, the Black Arts movement is usually dated from approximately 1960 to 1970. Both the Black Power and Black Arts movements were responses to the turbulent socio-political landscape of the time. As racial inequality prevailed and black leaders such as

text
Poetic Terms/Forms
2014

organic form: Since the development of natural history and biology in the eighteenth century, the word organic has primarily referred to things living and growing. Machines took on new significance during the Industrial Revolution, and romantic thinkers began to reject eighteenth-century mechanical philosophies of mind, differentiating between organic and inorganic systems, natural and mechanical bodies. Taking a lead from the German critic A. W. Schlegel, Samuel Taylor Coleridge distinguished between mechanic form and organic form in an essay on Shakespeare:

The form is mechanic when on any given material we impress a pre-determined form, not necessarily arising out of the properties of the material — as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form on the other hand is innate, it shapes as it develops itself from within, and the fullness of its development is one and the same with the perfection of its outward Form.

text
Poetic Terms/Forms
2015

epic: A long narrative poem, exalted in style, heroic in theme. The earliest epics all focus on the legendary adventures of a hero against the backdrop of a historical event: think of the Trojan War and Odysseus’s action-packed journey home in the eighth century BCE Homeric epics the Iliad and the Odyssey, the models for epic poetry ever since; or the territorial battles of a warrior culture in the Anglo-Saxon epic Beowulf, dated between the eighth and eleventh centuries; or the preservation of a city and a civilization in the Babylonian Gilgamesh (ca. 1600–1000 BCE). These epics seem to be the written versions of texts long sung and retold, composed and recomposed by many epic singers over time, all telling the tale of a tribe. The first audiences for the epics were listeners, the later ones readers. Aristotle (384–322 BCE) considered the Homeric epic the prototype of tragedy. The epic carried important cultural truths but, as M. I. Finley puts it, “Whatever else the epic may have

books

book
Anthology
2014
Singing School:  Learning to Write (and Read) Poetry by Studying with the Masters by Robert Pinksy
book
Textbook
2015
book
Poetry Book
2015
Once Removed by Elizabeth Bradfield