poem index

poems & poets

Search our curated collection of over 8,000 poems, over 2,500 poet biographies, as well as essays about poetry, and some of the most important books, anthologies, and textbooks about the art form ever written. To search by keyword, use the search bar above.



Come, brothers all!
Shall we not wend
The blind-way of our prison-world
By sympathy entwined?
Shall we not make
The bleak way for each other’s sake
Less rugged and unkind?
O let each throbbing heart repeat
The faint note of another’s beat
To lift a



He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark


A map on tissue. A mass of wire. Electricity of the highest order.
Somewhere in this live tangle, scientists discovered—

like shipmates on the suddenly-round earth—
a new catalog of synaptic proteins

presenting how memory is laid down:
At the side of the


Poetic Terms/Forms

A form derived from the abecedarian is the acrostic, which spells out names or words through the first letter of each line. The intent of the acrostic is to reveal while attempting to conceal within the poem. William Blake addresses the despairs of the plague in the poem "London," telling the reader how he listens to everyone’s pain while wandering along the Thames River. Blake uses an acrostic in the third stanza to emphasize the horrifying sounds:

How the Chimney-sweeper's cry
Every blackning Church appalls;
And the hapless Soldier's sigh
Runs in blood down Palace walls.

A recent example is Anna Rabinowitz’s Darkling. This book-length acrostic sequence investigates her family's Holocaust experiences and uses "The Darkling Thrush" by Thomas Hardy for its structure.

read more acrostics

Poetic Terms/Forms

repetition: Repetition—the use of the same term several times—is one of the crucial elements in poetry. “Repetition in word and phrase and in idea is the very essence of poetry,” Theodore Roethke writes in “Some Remarks on Rhythm” (1960). It is one of the most marked features of all poetry, oral and written, one of the primary ways we distinguish poetry itself. Repetition, as in rhyme, is a strong mnemonic device. Oral poets especially use it for remembering structures. The incantatory magic of poetry—think of spells and chants, of children’s rhymes and lullabies—has something to do with recurrence, with things coming back to us in time, sometimes in the same way, sometimes differently. Repetition is the primary way of creating a pattern through rhythm. Meaning accrues through repetition. One of the deep fundamentals of poetry is the recurrence of sounds, syllables, words, phrases, lines, and stanzas. Repetition can be one of the most intoxicating features of poetry. It creates

on Teaching Poetry

Superstition continues to flourish around the earth even in the face of the most technologically advanced societies. Some may regard it as a curious relic dating from less scientifically advanced times when people sought explanations for the apparently random workings and spinnings of nature. To others, superstition is an integral and constantly shifting part of the richness of culture in an increasingly secular world. New technologies and new relationships to nature often breed new superstitions as we grapple with changes and advancements.

We now know that some superstitions originate from scientific fact, such as some that are related to animals, food, and weather, and yet—on other occasions, there seems to be no reason or rationale behind a notion at all. People still cross their fingers in a promise or become leery when a black cat crosses their path. Why do you think superstitions have such a hold on people? Imagine the spark (and sparkle) of incorporating superstition 


Poetry Book
Songs from a Mountain by Amanda Nadelberg
Poetry Book
The Weary Blues by Langston Hughes
Children's Book
Things to Do