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Frank Bidart
Frank Bidart

The Ghost

About this Poem 
"This poem was written after I published a Collected Poems in 2017. As the book goes on, my mother (who died in 1974) becomes an increasingly central figure. Would she consider the poems about her in the book too angry, too candid, a betrayal? The speaker in 'The Ghost' is my mother’s ferocious side. She had very different sides. Behind the poem is Sextus Propertius’s poem spoken by an unappeased, unreconciled dead ex-lover, translated by Robert Lowell as 'The Ghost' in his book Lord Weary's Castle."
—Frank Bidart

The Ghost

You must not think that what I have 
accomplished through you

could have been accomplished by any other means.

Each of us is to himself
indelible. I had to become that which could not

be, by time, from human memory, erased.

I had to burn my hungry, unappeasable
furious spirit

so inconsolably into you

you would without cease
write to bring me rest.

Bring us rest. Guilt is fecund. I knew

nothing I made
myself had enough steel in it to survive.

I tried: I made beautiful
paintings, beautiful poems. Fluff. Garbage.

The inextricability of love and hate?

If I had merely made you
love me you could not have saved me.

Copyright © 2018 by Frank Bidart. Originally published in Poem-a-Day on January 22, 2018, by the Academy of American Poets.

Copyright © 2018 by Frank Bidart. Originally published in Poem-a-Day on January 22, 2018, by the Academy of American Poets.

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poem

Good Bones

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

Maggie Smith
2016
collection

Classic Books of American Poetry

This collection of books showcases the masterpieces of American poetry that have influenced—or promise to influence—generations of poets. Take a look.

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Crater Lake National Park, Oregon. Courtesy of National Park Service
poem

January

Again I reply to the triple winds
running chromatic fifths of derision
outside my window:
                                  Play louder.
You will not succeed. I am
bound more to my sentences
the more you batter at me
to follow you.
                                  And the wind,
as before, fingers perfectly
its derisive music.

William Carlos Williams
2016
AASL Best Website for Teaching & Learning
collection

Gwendolyn Brooks: A Centennial Celebration

A Pulitzer Prize winner, an Academy Fellowship winner, and the first black woman appointed as consultant in poetry to the Library of Congress, Gwendolyn Brooks was—and continues to be—an outstanding voice in the world of contemporary American poetry. Brooks, who was awarded countless literary honors in her lifetime, was known for writing poems that captured a cross-section of everyday life in her hometown of Chicago. In sonnets, ballads, epic poems, and more, Brooks captured the lives, speech, and perspectives of people as varied as those she encountered in her city, and was particularly known for her interrogation of race relations and class.

This year marks Brooks’s centennial, and to celebrate, we’ve created this new collection of essays, audio, and poems by and about Brooks.

collection

A Poet's Glossary

Read about poetic terms and forms from Edward Hirsch's A Poet's Glossary (Harcourt, 2014), a book ten years in the making that defines the art form of poetry.  

In Memoriam
poem

Burning the Old Year

Letters swallow themselves in seconds.   
Notes friends tied to the doorknob,   
transparent scarlet paper,
sizzle like moth wings,
marry the air.

So much of any year is flammable,   
lists of vegetables, partial poems.   
Orange swirling flame of days,   
so little is a stone.

Where there was something and suddenly isn’t,   
an absence shouts, celebrates, leaves a space.   
I begin again with the smallest numbers.

Quick dance, shuffle of losses and leaves,   
only the things I didn’t do   
crackle after the blazing dies.
Naomi Shihab Nye
1995