poem-a-day
Song for the Woolly Mammoth
Song for the Woolly Mammoth
When glaciers trapped a third of Earth’s water and drained the Bering Strait, humans journeyed to this land where wind swept the steppes of snow, exposing grass that would be plucked by mammoth trunks and ground by washboard teeth. Up to thirteen feet, their tusks curved helically and would intertwine if they went on a little longer. The beasts’ dense hair—brown, blonde, or ginger—swung like a skirt about their flanks. I want to rest my head against that shaggy coat, to crane my ears, to be protected from the giant short-faced bear. I want to be their baby, wrap my trunk around my mother’s, watch the wild horses of Beringia canter across the steppes in tawny, fine-boned movements. The thick fat under my hair keeps me warm when the sun goes low, and I grow into an eight-ton bull, pierce the ice with my tusks and drink from glacial pools. The wind is bitter, but my strongest features have grown bigger than my father’s. When summer comes I must find a mate, and it only takes a few tusk locks to show my strength. After our calf is born, I see upright creatures eyeing him from the mesa. I will fling them against the icy mountains. They wear our hair as if it were their skin. Still, I will live through many winters, through each warm season’s hardheaded matches. I know the range that slopes like the hump on my back, sunsets redder than the long-toothed cat’s gorging mouth, how musk oxen form a wall of horns and still fall prey to the blade thrown. I know how many herds have fled, and the curves of carcasses stripped to bone by men, wind, and time. I do not know that I am gone.
Copyright © 2018 by Lauren Moseley. Originally published in Poem-a-Day on October 22, 2018, by the Academy of American Poets.
Copyright © 2018 by Lauren Moseley. Originally published in Poem-a-Day on October 22, 2018, by the Academy of American Poets.
Ross Gay
Classic Books of American Poetry
This collection of books showcases the masterpieces of American poetry that have influenced—or promise to influence—generations of poets. Take a look.
The Raven
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door—
"'Tis some visitor," I muttered, "tapping at my chamber door—
Only this and nothing more."
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
This it is and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"—here I opened wide the door;—
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"—
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
'Tis the wind and nothing more!"
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered "Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before."
Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of 'Never—nevermore.'"
But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven "Nevermore."
"Be that word our sign in parting, bird or fiend!" I shrieked, upstarting—
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
James Merrill
Ghosts
Black Cat
A ghost, though invisible, still is like a place
your sight can knock on, echoing; but here
within this thick black pelt, your strongest gaze
will be absorbed and utterly disappear:
just as a raving madman, when nothing else
can ease him, charges into his dark night
howling, pounds on the padded wall, and feels
the rage being taken in and pacified.
She seems to hide all looks that have ever fallen
into her, so that, like an audience,
she can look them over, menacing and sullen,
and curl to sleep with them. But all at once
as if awakened, she turns her face to yours;
and with a shock, you see yourself, tiny,
inside the golden amber of her eyeballs
suspended, like a prehistoric fly.
Poetic Forms
Refresh and expand your poetic vocabulary with this collection of poetic forms, complete with historical contexts, examples, and more. For more on poetic forms, browse our selection of terms from Edward Hirsch’s A Poet’s Glossary or check out our quick teaching guide on essential poetic terms.
Sherwin Bitsui
Sylvia Plath
Marilyn Chin
The House of Ghosts
The House of Ghosts was bright within,
Aglow and warm and gay,
A place my own once loved me in,
That is not there by day:
My hound lay drowsing on the floor:
From sunken graves returned
My folk that I was lonely for
Sat where the hearth-fire burned.
There was no lightest echo lost
When I undid the door,
There was no shadow where I crossed
The well-remembered floor.
I bent to whisper to my hound
(So long he had been dead!)
He slept no lighter nor more sound,
He did not lift his head.
I brushed my father as I came;
He did not move or see—
I cried upon my mother’s name;
She did not look at me.
Their faces in the firelight bent,
They smiled in speaking slow
Of some old gracious merriment
Forgotten years ago.
I was so changed since they had died!
How could they know or guess
A voice that plead for love, and cried
Of grief and loneliness?
Out from the House of Ghosts I fled
Lest I should turn and see
The child I had been lift her head
And stare aghast at me!
Edgar Allan Poe
Tiana Clark
Wilfred Owen
Lesson Plans for Autumn
Browse this selection of lesson plans featuring poems about autumn.
A Poet's Glossary
Read about poetic terms and forms from Edward Hirsch's A Poet's Glossary (Harcourt, 2014), a book ten years in the making that defines the art form of poetry.
Omens
The dead bird, color of a bruise,
and smaller than an eye
swollen shut,
is king among omens.
Who can blame the ants for feasting?
Let him cast the first crumb.
~
We once tended the oracles.
Now we rely on a photograph
a fingerprint
a hand we never saw
coming.
~
A man draws a chalk outline
first in his mind
around nothing
then around the body
of another man.
He does this without thinking.
~
What can I do about the white room I left
behind? What can I do about the great stones
I walk among now? What can I do
but sing.
Even a small cut can sing all day.
~
There are entire nights
I would take back.
Nostalgia is a thin moon,
disappearing
into a sky like cold,
unfeeling iron.
~
I dreamed
you were a drowned man, crown
of phosphorescent, seaweed in your hair,
water in your shoes. I woke up desperate
for air.
~
In another dream, I was a field
and you combed through me
searching for something
you only thought you had lost.
~
What have we left at the altar of sorrow?
What blessed thing will we leave tomorrow?
We the Poets
To celebrate American Archives Month in October we collaborated with the National Archives on We the Poets, a project for which we commissioned poets to write original works based on the archives’ holdings. The National Archives filmed the poets reading their poems at the headquarters in Washington, D.C. To read more about the project and to view related photographs and documents from the National Archives, visit the Prologue: Pieces of History blog.
