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Dean Rader
Dean Rader

Poem Begun on the Day of My Father’s Funeral and Completed on the First Day of the New Year

Recorded by Dean Rader for Poem-a-Day. Published May 9, 2019.
About this Poem 

“My father died a few days before Christmas in 2017. In fact, the day we received the news, the day I returned to Oklahoma to help plan for his burial, was also the day my sons opened holiday gifts. So, his passing was an emotionally intense convergence of death and birth, celebration and mourning. On the day of his funeral, I kept thinking of Wallace Stevens’ “Final Soliloquy of the Interior Paramour,” maybe the most comforting text I know. That night, after everyone had gone to bed, I began this poem. I think I was attempting a corresponding convergence, something that would unite the solace of Stevens with the sense of holiness I associate with the language of Gerard Manley Hopkins. And yet, I wanted a form neither comforting nor holy—something jagged, fragmented—something that might embody the brokenness I was feeling.”
—Dean Rader

Poem Begun on the Day of My Father’s Funeral and Completed on the First Day of the New Year

Light the last light and lift—
                                                     and lift again in to that obscurity—

blue-skinned sky & what it cannot lead to—

                           the always immolated flesh of this world’s bone-
                                  shell— 

what lasts? what goes like a trumpet blast
                                                    
                                                     through the feathered 
              
             ear of the angel? There

                                                        & being & the evening air—

is in everything plummet—
                                                                   & yet we go even some- 
     times rise—have you wondered?

                                                                   that dark wick—flame both
inward & below light the first fire—

                                                                   what does not burn

                            might still die—& yet

                                                 what does not might grow—may graft—

              like leaf & branch together—
                                                                           live this long lull 
before the last:
                                  let this 
                                                     let my words

leave their black axe next to the tree
                                                                  & may
               the grace
                                      of grace

feel through its fall

                                      the way—

Copyright © 2019 by Dean Rader. Originally published in Poem-a-Day on May 9, 2019, by the Academy of American Poets.

Copyright © 2019 by Dean Rader. Originally published in Poem-a-Day on May 9, 2019, by the Academy of American Poets.

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Classic Books of American Poetry

This collection of books showcases the masterpieces of American poetry that have influenced—or promise to influence—generations of poets. Take a look.

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Welcome to Emerge
poem

Follies

Shaken,	
The blossoms of lilac,	
  And shattered,	
The atoms of purple.	
Green dip the leaves,	      
  Darker the bark,	
Longer the shadows.	
 	
Sheer lines of poplar	
Shimmer with masses of silver	
And down in a garden old with years	       
And broken walls of ruin and story,	
Roses rise with red rain-memories.	
      May!	
  In the open world	
The sun comes and finds your face,	       
  Remembering all.
Carl Sandburg
1916
poem

From Blossoms

From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward   
signs painted Peaches.

From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.

O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into   
the round jubilance of peach.

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
Li-Young Lee
1986
poem

The Floral Apron

The woman wore a floral apron around her neck,
that woman from my mother’s village
with a sharp cleaver in her hand.
She said, “What shall we cook tonight?
Perhaps these six tiny squid
lined up so perfectly on the block?”

She wiped her hand on the apron,
pierced the blade into the first.
There was no resistance,
no blood, only cartilage
soft as a child’s nose. A last
iota of ink made us wince.

Suddenly, the aroma of ginger and scallion fogged our senses,
and we absolved her for that moment’s barbarism.
Then, she, an elder of the tribe,
without formal headdress, without elegance,
deigned to teach the younger
about the Asian plight.

And although we have traveled far
we would never forget that primal lesson
—on patience, courage, forbearance,
on how to love squid despite squid,
how to honor the village, the tribe,
that floral apron.

Marilyn Chin
2019
poem

Poem Full of Worry Ending with My Birth

I worry that my friends 
will misunderstand my silence

as a lack of love, or interest, instead
of a tent city built for my own mind,  

I worry I can no longer pretend 
enough to get through another

year of pretending I know 
that I understand time, though 

I can see my own hands; sometimes, 
I worry over how to dress in a world 

where a white woman wearing 
a scarf over her head is assumed 

to be cold, whereas with my head 
cloaked, I am an immediate symbol 

of a war folks have been fighting 
eons-deep before I was born, a meteor.  
Tarfia Faizullah
2018
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Lesson Plans for Asian/Pacific American Heritage Month

As part of your celebration of Asian/Pacific American Heritage Month in May—and all year round—take a look at this collection of lesson plans featuring poems by Asian American and Pacific American poets.