I've been meaning to tell you how the sky is pink here sometimes like the roof of a mouth that's about to chomp down on the crooked steel teeth of the city, I remember the desperate things we did and that I stumble down sidewalks listening to the buzz of street lamps at dusk and the
In the fall of 2014, Danielle Legros Georges was chosen as the second poet laureate of Boston, Massachusetts. The author of The Dear Remote Nearness of You (Barrow Street Press, 2016) and Maroon (Curbstone Books, 2001), she is a professor at Lesley University.
In March 2015, Patrick Donnelly was named the seventh poet laureate of Northampton, Massachusetts. Donnelly, who is a poet, translator, editor, and teacher, is also director of The Frost Place’s Poetry Seminar. He is the author of Nocturnes of the Brothel of Ruin (Four Way Books, 2012) and The Charge (Ausable Press, 2003). He will serve a two-year term.
In March 2015, Jan Schreiber was named the second poet laureate of Brookline, Massachusetts, taking over for Judith Steinbergh. He will serve a two-year term.
May 22 2018
Join acclaimed poet, essayist, teacher, and translator Lyn Hejinian as she reads from her work at the Grolier Poetry Book Shop in Cambridge, MA, on Tuesday, May 22, 2018, 7 p.m.
Lyn Hejinian is the co-director (with Travis Ortiz) of Atelos, a literary project commissioning and publishing cross-genre work by poets. Her academic work is addressed principally to modernist, postmodern, and contemporary poetry and poetics, with a particular interest in avant-garde movements and the social practices they entail. In addition to her literary and academic work, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley, where she serves as the John F. Hotchkis Professor of English.
Hejinian's The Unfollowing (Omnidawn, 2016) is a sequence of elegies, mourning public as well as personal loss. The grief is not coherent. Though the poems are each fourteen lines long, they are not sonnets but anti-sonnets. They are composed entirely of non-sequiturs, with the intention of demonstrating, if not achieving, a refusal to follow aesthetic proprieties, and a rejection of the logic of mortality and of capitalism. As the author sees it, outrage, hilarity, anxiety, and ribaldry are not easily separated in the play of human emotions. And they are all, and sometimes equally, the proper, anarchic medium for staying alive.
6 Plympton St02138 Cambridge, Massachusetts
May 23 2018
U35 is a bi-monthly reading series for poets under 35, held once each January, March, May, July, September, and November. The series seeks to promote and bolster Massachusetts poets under 35 while giving them a venue to share their work and connect with other poets under 35. If you are a poet under the age of 35, sign up to read! U35 ran for four years under its founder Daniel Evans Pritchard, before Mass Poetry adopted the series in May 2014.
7:00pm to 8:30pm
700 Boylston St.02116 Boston, Massachusetts
Boston Public Library
Jun 02 2018
Charlotte Digregorio of Winnetka, IL, author of six award-winning books, including Haiku and Senryu: A Simple Guide for All, and a haiku collection, will give a workshop and do a reading at the annual gathering of the Haiku Circle, from 8:30 a.m. to 5 p.m., Saturday, June 2 at 152 Mount Herman Station Rd. in Northfield, MA.
Digregorio will speak on “Writing Artful Senryu,” the latter being a poetic form, in the style of haiku, though written with themes about human nature, human struggles, and weaknesses. The form originated in Japan in the 1700s and is now written worldwide in about 56 languages.
Her workshop description follows:
It often seems that excellently-crafted poetry is more commonly found among published haiku than senryu. We’ll briefly consider senryu’s history and discuss what notable authors have said about the significance of making a distinction between the two forms. Then we will delve into what triggers our observational skills, imaginations, memories, and psychological insights/associations in writing artful senryu. We’ll discuss several literary techniques that will enrich your humorous and serious senryu, leaving a lasting impression on readers. Among them: use of inanimate objects, hyperbole, irony, satire, wit, puns, parody, tone/mood, sound, and line breaks. In reviewing many masterful senryu, become inspired to write them with flair, allowing your imaginations to wander and wonder!
Digregorio writes twelve poetic forms, has won forty-six poetry awards, and was nominated for a Pushcart Prize. Recently, she received an official commendation from Illinois Governor Bruce Rauner for her achievements as an author, educator, and speaker nationally and internationally. Her poems are translated into eight languages; she translates poetry books from Italian into English; and her traveling haiga (haiku/art) show is at libraries, hospitals, corporate centers, and restaurants, among several venues. Four of her reference books have been adopted as supplemental texts and are featured selections of book clubs. She gives workshops at national writer's conferences; is a writer-in-residence at universities; teaches haiku in public schools; judges national writers’ contests; and speaks at libraries/chain bookstores. Digregorio hosted a radio poetry program, and was an executive officer of the Haiku Society of America. She is an Ambassador of The Haiku Foundation. She blogs about writing for publication and poetry, and posts The Daily Haiku from global poets at www.charlottedigregorio.wordpress.com. Digregorio taught languages and writing at universities, and holds graduate degrees from The University of Chicago.
152 Mount Herman Station Rd.01360 Northfield, Massachusetts
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"Relinquunt Omnia Servare Rem Publicam."
The old South Boston Aquarium stands in a Sahara of snow now. Its broken windows are boarded. The bronze weathervane cod has lost half its scales. The airy tanks are dry. Once my nose crawled like a snail on the glass; my hand tingled to burst the bubbles
The readers of the Boston Evening Transcript Sway in the wind like a field of ripe corn. When evening quickens faintly in the street, Wakening the appetites of life in some And to others bringing the Boston Evening Transcript, I mount the steps and ring the bell, turning Wearily, as one