So we shoveled it. Climbed over it. When a boy's loved he is loved. We kissed him at the countdown then we went to bed. Then I woke and on the screen an executioner whose wife for him was worried. Both on and off the screen there was still a lot of snow. I went out and stuck my hand in it, felt around
poetry near you
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Feb 24 2018
Join us for a Book Reading & Signing by NASTY WOMEN POETS to celebrate the release of NASTY WOMEN POETS: An Unapologetic Anthology of Subversive Verse, edited by Grace Bower and Julie Kane, on Saturday, February 24, from 4 p.m. to 6 p.m., at Beyond Baroque in Venice, CA.
Featured poets include Andi Boyd, Hélène Cardona, Alexis Rhone Fancher, Shirley Geok-lin Lim, Ronna Magy, Lisa Mecham, Melinda Palacio, and Lynne Thompson.
NASTY WOMEN POETS (Lost Horse Press, 2017) speaks not just to the current political climate and the man who is responsible for its title, but to the stereotypes and expectations women have faced dating back to Eve, and to the long history of women resisting those limitations. The nasty women poets included here talk back to the men who created those limitations, honor foremothers who offered models of resistance and survival, rewrite myths, celebrate their own sexuality and bodies, and the girlhoods they survived. They sing, swear, swagger, and celebrate, and stake claim to life and art on their own terms.
The anthology includes work from Kim Addonizio, Jan Beatty, Kelly Cherry, Annie Finch, Alice Friman, Allison Joseph, Marilyn Kallet, Melissa Kwasny, Shirley Geok-lin Lim, Jessica Mehta, Lesléa Newman, Nuala O’Connor, Alicia Suskin Ostriker, Melinda Palacio, Jennifer Perrine, Marge Piercy, Lucinda Roy, Maureen Seaton, Rochelle Spencer, A.E. Stallings, Stacey Waite, Diane Wakoski, Müesser Yeniay, and a fabulous coven of other women’s voices.
This event is free and open to the public.
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4:00pm to 6:00pm
681 Venice Blvd90291 Venice, California
Feb 19 2018
Sawako Nakayasu is a transnational poet, translator, and occasional performance artist who has lived in Japan, France, China, and the US. Her books include The Ants (Les Figues Press, 2014) Texture Notes (Letter Machine Editions, 2010), and a translation of The Collected Poems of Chika Sagawa (Canarium Books, 2015), as well as unconventional translations, such as Costume en Face (Ugly Duckling Press, 2015), a handwritten notebook of Tatsumi Hijikata's Dance Notations, and Mouth: Eats Color. Sagawa Chika Translations, Anti-translations, Originals (Rogue Factorial, 2011), is a multilingual work of both original and translated poetry. She is co-editor of A Transpacific Poetics (Litmus Press, 2017), a gathering of poetry and poetics engaging transpacific imaginaries. She has also performed on Japanese television as a poetry judge, in a re-enactment of Yvonne Rainer's Grand Union Dreams (dir. Yelena Gluzman), and in Cornelius Cardew's Paragraphs 4&7 from The Great Learning (dir. Tomomi Adachi).
Kelly Writers House
3805 Locust Walk19104 Philadelphia, Pennsylvania
Feb 19 2018
In this compassionate new collection, Philip Schultz’s wry and incisive poetic voice takes on both the eternal questions of meaning and happiness and essentially modern complexities―the collective power of women’s marches, the strangeness of googling oneself, the refugee crisis, the emotions associated with visiting the 9/11 memorial. At once philosophical and droll, Schultz explores life’s luxuries and challenges with masterly precision.
Luxury takes its name from the center poem, which has an ironic ring next to Schultz’s Pulitzer Prize–winning collection Failure. The poem is a beautiful exploration of the pull toward life as Schultz examines the question of suicide, intimately probing a familial pull toward that darkness and weaving in the philosophy of Albert Camus and the voices and legacies of Paul Celan and Ernest Hemingway. Using humor, irony, and celebration as ballast against the book’s darker forces, Luxury explores the comfort and sustenance of life, the bittersweet clarity of aging, and the anxiety of existence.
Philip Schultz is the author of My Dyslexia, a memoir; The Wherewithal, a novel in verse; and seven collections of poetry, including the Pulitzer Prize–winning Failure. The founder and director of the Writers Studio, he lives in East Hampton, New York.
McNally Jackson Books
52 Prince St10012 New York, New York
Feb 20 2018
Join us for the Bryant Park Reading Room Winter Poetry Series. Poetry readings are on the third Tuesday of each month through April. This month is presented in partnership with Brooklyn Poets. Contemporary award-winning poets present their most recent work for the pleasure of listening to outstanding literary accomplishment. Kinokuniya Bookstore provides the warm, library-like environment, with shelves stuffed with books (available for purchase of course) where you'll meet with other aficionados of poetry. The bookstore sits opposite Bryant Park.
Featuring poets: Jason Koo, Joe Pan, JP Howard, and Vanessa Jimenez Gabb.
6:00pm to 7:30pm
1073 Avenue of the Americas10018 New York, New York
Feb 20 2018
The Open Door Reading series presents work from Chicago’s new and emerging poets and highlights the area’s outstanding writing programs. Each monthly hour-long event features readings by two Chicagoland writing program instructors and two of their current or recent students. February's Open Door Reading presents Chicago State University's Tara Betts and her student Jermaine Reed, along with the University of Chicago's Rachel Galvin, and her student Anna Wood.
The Library & Gallery are open to the public until 7:00 PM.
7:00pm to 8:00pm
Poetry Foundation & Poetry Magazine
61 West Superior Street60654 Chicago, Illinois
slashed and torn
but doubly rich—
such great heads as yours
drift upon temple-steps,
but you are shattered
in the wind.
is flecked from you,
scales are dashed
from your stem,
sand cuts your petal,
furrows it with hard edge,
No sensation of falling, which suggests that this condition may be flight.
My eyes might be open or not. My coffee poured into a cup or
onto the countertop. This, a ball of saved rubberbands or the thick clot of tremors
I usually keep deep in the drawer that I can trust will stick