Swing dat hammer--hunh-- Steady, bo'; Swing dat hammer--hunh-- Steady, bo'; Ain't no rush, bebby, Long ways to go. Burner tore his--hunh-- Black heart away; Burner tore his--hunh-- Black heart away; Got me life, bebby, An' a day. Gal's on Fifth Street--hunh-- Son done gone; Gal's on Fifth Street--hunh-- Son
Sterling A. Brown
Sterling Brown was born in Washington, D.C., on May 1, 1901. He was educated at Dunbar High School and received a bachelor's degree from Williams College. He studied the work of Ezra Pound and T. S. Eliot, but was more interested in the works of Amy Lowell, Edgar Lee Masters, Robert Frost and Carl Sandburg. In 1923, he earned a master's degree from Harvard University and was employed as a teacher at the Virginia Seminary and College in Lynchburg until 1926. Three years later, Brown began teaching at Howard University and in 1932 his first book, Southern Road, was published.
His poetry was influenced by jazz, the blues, work songs and spirituals and, like Langston Hughes, Jean Toomer, Countee Cullen, and other black poets of the period, his writing expresses his concerns about race in America. Southern Road was well received by critics and Brown became part of the artistic tradition of the Harlem Renaissance, but with the arrival of the Depression, Brown could not find a publisher for his second book of verse. He turned to writing essays and focused on his career as a teacher at Howard, where he taught until his retirement in 1969. He finally published his second book of poetry, The Last Ride of Wild Bill, in 1975. Brown is known for his frank, unsentimental portraits of black people and their experiences, and the incorporation of African American folklore and contemporary idiom into his verse. He died in 1989 in Takoma Park, Maryland.
Southern Road (1932)
The Collected Poems of Sterling Brown (1980)
The Last Ride of Wild Bill and Eleven Narrative Poems (1975)
Negro Poetry and Drama (1937)
Outline for the Study of Poetry of American Negroes (1931)
The Negro in American Fiction (1937)