This is not a small voice
you hear this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Running over waters
navigating the hallways
of our schools spilling out
Sonia Sanchez was born Wilsonia Benita Driver on September 9, 1934, in Birmingham, Alabama. After her mother died in childbirth a year later, Sanchez lived with her paternal grandmother and other relatives for several years. In 1943, she moved to Harlem with her sister to live with their father and his third wife.
She earned a BA in political science from Hunter College in 1955. She also did postgraduate work at New York University and studied poetry with Louise Bogan. Sanchez formed a writers' workshop in Greenwich Village, attended by such poets as Amiri Baraka (LeRoi Jones), Haki R. Madhubuti (Don L. Lee), and Larry Neal. Along with Madhubuti, Nikki Giovanni, and Etheridge Knight, she formed the "Broadside Quartet" of young poets, introduced and promoted by Dudley Randall.
She married and divorced Albert Sanchez, a Puerto Rican immigrant whose surname she kept. She was also married for two years to Knight.
During the early 1960s she was an integrationist, supporting the philosophy of the Congress of Racial Equality (CORE). But after considering the ideas of Black Muslim leader Malcolm X, who believed blacks would never be truly accepted by whites in the United States, she focused more on her black heritage from a separatist point of view.
Sanchez began teaching in the San Francisco area in 1965 and was a pioneer in developing black studies courses at what is now San Francisco State University, where she was an instructor from 1968 to 1969. In 1971, she joined the Nation of Islam, but by 1976 she had left the Nation, largely because of its repression of women.
Sanchez is the author of more than a dozen books of poetry, including Morning Haiku (Beacon Press, 2010); Shake Loose My Skin: New and Selected Poems (Beacon Press, 1999); Does your house have lions? (Beacon Press, 1995), which was nominated for both the NAACP Image and National Book Critics Circle Award; Homegirls & Handgrenades (White Pine Press, 1984), which won an American Book Award from the Before Columbus Foundation; I've Been a Woman: New and Selected Poems (Third World Press, 1978); A Blues Book for Blue Black Magical Women (Broadside Press, 1973); Love Poems (Third Press, 1973); We a BaddDDD People (Broadside Press, 1970); and Homecoming (Broadside Press, 1969).
Her published plays are Black Cats Back and Uneasy Landings (1995), I'm Black When I'm Singing, I'm Blue When I Ain't (1982), Malcolm Man/Don't Live Here No Mo' (1979), Uh Huh: But How Do It Free Us? (1974), Dirty Hearts '72 (1973), The Bronx Is Next (1970), and Sister Son/ji (1969).
Sanchez's books for children include A Sound Investment and Other Stories (1979); The Adventures of Fat Head, Small Head, and Square Head (1973); and It's a New Day: Poems for Young Brothas and Sistuhs (1971). She has also edited two anthologies: We Be Word Sorcerers: Twenty-five Stories by Black Americans (1973), and Three Hundred Sixty Degrees of Blackness Comin' at You (1971).
Among the many honors she has received are the Robert Creeley Award, the Frost Medal, the Community Service Award from the National Black Caucus of State Legislators, the Lucretia Mott Award, the Outstanding Arts Award from the Pennsylvania Coalition of 100 Black Women, the Peace and Freedom Award from Women International League for Peace and Freedom, the Pennsylvania Governor's Award for Excellence in the Humanities, a National Endowment for the Arts Award, and a Pew Fellowship in the Arts. In 2018, she received the Wallace Stevens Award, given annually to recognize outstanding and proven mastery in the art of poetry.
Sanchez has lectured at more than five hundred universities and colleges in the United States and had traveled extensively, reading her poetry in Africa, Cuba, England, the Caribbean, Australia, Nicaragua, the People's Republic of China, Norway, and Canada. She was the first Presidential Fellow at Temple University, where she began teaching in 1977, and held the Laura Carnell Chair in English there until her retirement in 1999. She lives in Philadephia.
Morning Haiku (Beacon Press, 2010)
Shake Loose My Skin: New and Selected Poems (Beacon Press, 1999)
Like the Singing Coming Off the Drums: Love Poems (Beacon Press, 1998)
Does your house have lions? (Beacon Press, 1995)
Wounded in the House of a Friend (Beacon Press, 1995)
Under a Soprano Sky (Africa World Press, 1987)
Homegirls & Handgrenades (Thunder’s Mouth Press, 1984)
I've Been a Woman: New and Selected Poems (Third World Press, 1978)
A Blues Book for Blue Black Magical Women (Broadside Press, 1973)
Love Poems (Third World Press, 1973)
We a BaddDDD People (Broadside Press, 1970)
Homecoming (Broadside Press, 1969)
Black Cats Back and Uneasy Landings (1995)
I'm Black When I'm Singing, I'm Blue When I Ain't (1982)
Malcolm Man/Don't Live Here No Mo' (1979)
Uh Huh: But How Do It Free Us? (1974)
Dirty Hearts '72 (1973)
The Bronx Is Next (1970)
Sister Son/ji (1969)
A Sound Investment and Other Stories (Third World Press, 1979)
The Adventures of Fat Head, Small Head, and Square Head (1973)
It's a New Day: Poems for Young Brothas and Sistuhs (Broadside Press, 1971)