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Paisley Rekdal

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Paisley Rekdal
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Paisley Rekdal was born and raised in Seattle, Washington. She received an MA from the University of Toronto and an MFA from the University of Michigan.

Rekdal is the author of Imaginary Vessels (Copper Canyon Press, 2016); Animal Eye (University of Pittsburgh Press, 2012), winner of the 2013 Rilke Prize from the University of North Texas; The Invention of the Kaleidoscope (University of Pittsburgh Press, 2007); Six Girls without Pants (Eastern Washington University, 2002); and A Crash of Rhinos (University of Georgia Press, 2000), winner of the University of Georgia Press’ Contemporary Poetry Series Award. 

The poet Major Jackson writes, “With all of their rhetorical pleasures and illustrative rhythms, Rekdal’s poems are deeply marked by a sensate, near terrestrial, relationship to language such that she refreshes and renews debates about beauty, suffering, and art for the twenty-first century reader.”

Rekdal is also the author of a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam (University of Georgia Press, 2017), an essay collection, The Night My Mother Met Bruce Lee (Pantheon Books, 2000), and a hybrid-genre memoir, Intimate (Tupelo Press, 2012).

She is the recipient of fellowships from the Amy Lowell Trust, Civitella Ranieri, the Guggenheim Foundation, and the National Endowment for the Arts, among others. In May 2017, Rekdal was named poet laureate of Utah. She currently teaches at the University of Utah and lives in Salt Lake City.


Bibliography

Poetry
Imaginary Vessels (Copper Canyon Press, 2016)
Animal Eye (University of Pittsburgh Press, 2012)
The Invention of the Kaleidoscope (University of Pittsburgh Press, 2007) 
Six Girls without Pants (Eastern Washington University, 2002)
A Crash of Rhinos (University of Georgia Press, 2000)

Prose
The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam (University of Georgia Press, 2017)
The Night My Mother Met Bruce Lee
(Pantheon Books, 2000)
Intimate (Tupelo Press, 2012)

by this poet

poem
How horrible it is, how horrible
that Cronenberg film where Goldblum's trapped

with a fly inside his Material
Transformer: bits of the man emerging

gooey, many-eyed; bits of the fly
worrying that his agent's screwed him–

I almost flinch to see the body later
that's left its fly in the corner, I mean

the fly
poem

A man can cry, all night, your back
shaking against me as your mother
sleeps, hooked to the drip
to clear her kidneys from their muck
of sleeping pills. Each one white
as the snapper’s belly I once watched a man
gut by the ice bins in his truck, its last 
bubbling grunt cleaved in

2
poem

Too soon, perhaps, for fruit. And the broad branches,
ice-sheathed early, may bear none. But still the woman
waits, with her ladder and sack, for something to break.
A gold, a lengthening of light. For the greens to burst
into something not unlike flame: the pale fruit
blushing over weeks

2