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Paisley Rekdal

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Paisley Rekdal
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Paisley Rekdal was born and raised in Seattle, Washington. She received an MA from the University of Toronto and an MFA from the University of Michigan.

Rekdal is the author of Imaginary Vessels (Copper Canyon Press, 2016); Animal Eye (University of Pittsburgh Press, 2012), winner of the 2013 Rilke Prize from the University of North Texas; The Invention of the Kaleidoscope (University of Pittsburgh Press, 2007); Six Girls without Pants (Eastern Washington University, 2002); and A Crash of Rhinos (University of Georgia Press, 2000), winner of the University of Georgia Press’ Contemporary Poetry Series Award. 

The poet Major Jackson writes, “With all of their rhetorical pleasures and illustrative rhythms, Rekdal’s poems are deeply marked by a sensate, near terrestrial, relationship to language such that she refreshes and renews debates about beauty, suffering, and art for the twenty-first century reader.”

Rekdal is also the author of an essay collection, The Night My Mother Met Bruce Lee (Pantheon Books, 2000), and a hybrid-genre memoir, Intimate (Tupelo Press, 2012).

She is the recipient of fellowships from the Amy Lowell Trust, Civitella Ranieri, the Guggenheim Foundation, and the National Endowment for the Arts, among others. She currently teaches at the University of Utah and lives in Salt Lake City.


Bibliography

Poetry
Imaginary Vessels (Copper Canyon Press, 2016)
Animal Eye (University of Pittsburgh Press, 2012)
The Invention of the Kaleidoscope (University of Pittsburgh Press, 2007) 
Six Girls without Pants (Eastern Washington University, 2002)
A Crash of Rhinos (University of Georgia Press, 2000)

Prose
The Night My Mother Met Bruce Lee (Pantheon Books, 2000)
Intimate (Tupelo Press, 2012)

by this poet

poem

Too soon, perhaps, for fruit. And the broad branches,
ice-sheathed early, may bear none. But still the woman
waits, with her ladder and sack, for something to break.
A gold, a lengthening of light. For the greens to burst
into something not unlike flame: the pale fruit
blushing over weeks

2
poem

Shouldn’t it ache, this slit
into the sweet
and salt mix of waters

composing the mussel,
its labial meats
winged open: yellow-

fleshed, black and gray
around the tough
adductor? It hurts

to imagine it, regardless
of the harvester’s
denials, swiveling

poem
unveil themselves in dark.
They hang, each a jagged,

silken sleeve, from moonlit rafters bright
as polished knives. They swim

the muddled air and keen
like supersonic babies, the sound

we imagine empty wombs might make
in women who can’t fill them up.

A clasp, a scratch, a sigh.
They drink fruit dry.

And