Not to speak To see and to translate into moans It's not pain To moan from birth Only the eye and the conquering of a tongue (that you wanted to say that for the slit?) To return toward hearing (to touch oneself) via the heart is heard slowly Is guarded like a black poem as if it were an eye
Born in Mexico City in 1955, of Bulgarian Sephardic descent, Myriam Moscona is a poet and journalist.
Moscona is the author of nine books, including Vísperas (Fondo de Cultura Económica, México, 1996), El que nada (ERA, México, 2006) and De par en par (Bonobos, México, 2009), which explores poetry beyond its traditional construction. Her book De frente y de perfil (DDF, México, 1996), features literary portraits of 75 Mexican poets, with photographs by Rogelio Cuéllar. Tela de sevoya (Random House Mondadori, 2012) is a hybrid narrative that weaves together memory and fiction; the backdrop to the book is Moscona's family language, Ladino, or Judeo-Spanish.
Her book-length sequence Ivory Black (Negro marfil), translated from the Spanish by Jen Hofer, received the 2012 Harold Morton Landon Award from the Academy of American Poets. When Negro marfil was conceived, Moscona focused on the use of visual materials (inks, pastels, graphite, and acrylics), which led her to explore visual poetry. In this domain, she is the maker of a variety of art objects and artist books, some of which are part of the Special Collections and Archives of the University of California at Irvine.
Moscona has received numerous awards, including the Premio de Poesía Aguascalientes and the Premio Nacional de Traducción de Poesía; she is a grantee of the Sistema Nacional de Creadores de Arte, and she was awarded a grant from the Guggenheim Foundation. Selections of her work have also been translated into German, Italian, French, Hebrew, Arabic, Russian, Bulgarian, Chinese and Swedish.
She currently lives in Mexico City.