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poet

Lisa Olstein

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Lisa Olstein

Lisa Olstein received a BA from Barnard College and an MFA from the University of Massachusetts at Amherst

She is the author of Late Empire (Copper Canyon Press, 2017); Little Stranger (Copper Canyon Press, 2013), a Lannan Literary Selection; Lost Alphabet (Copper Canyon Press, 2009); and Radio Crackling, Radio Gone (Copper Canyon Press, 2006), winner of the Hayden Carruth Award. She is also the author of the chapbook The Resemblance of the Enzymes of Grasses to Those of Whales Is a Family Resemblance (Essay Press, 2016).

Of her work, C. D. Wright writes, “The poems appear straightforward to the eye, and then familiar to the ear. It is the content that jars. It is the quick, compact, exacting delivery that destabilizes the reading.”

Among her honors and awards are a Lannan Literary Residency, a Massachusetts Cultural Council fellowship, and a Pushcart Prize. A cofounder of the Juniper Initiative for Literary Arts & Action, Olstein is also the lyricist for the rock band Cold Satellite, an associate editor for Tupelo Quarterly, a contributing editor for jubilat, and an advisor for Bat City Review. She teaches in the New Writers Project and Michener Center for Writers at the University of Texas and lives in Austin, Texas.


Bibliography

Late Empire (Copper Canyon Press, 2017)
Little Stranger (Copper Canyon Press, 2013)
Lost Alphabet (Copper Canyon Press, 2009)
Radio Crackling, Radio Gone (Copper Canyon Press, 2006)

by this poet

poem

Contrary, besieged, my self
makes me its accomplice.
I owe him, my mandatory proxy,
a borrowed happenstance,
a philosophy in place of me.
Welcome, difficult neighbor,
the patient, dying, announces,
for he is my neighbor, who
assigns the me in me eaten away.
Such is the

poem

We bring the world to bed with us,
its weather, its moving maps,
and its wars. When the staff told
the grieving chimp, tomorrow
they’d bring her a baby, she understood
her baby, the one three years ago
whisked inexplicably away,
not any baby, which is what
they brought. Of

poem

For days, the world breaks down into a series of scenes: at the spring-fed pool on Mother’s Day, in the produce aisle, at the ball game, golden-lit, the about-to-be shattered, already doomed normal before the monster or the monster wave hits—sunshine on the canoe and glinting off the water smooth inches from the