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Jorie Graham

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Jorie Graham was born in New York City on May 9, 1950, the daughter of a journalist and a sculptor. She was raised in Rome, Italy and educated in French schools. She studied philosophy at the Sorbonne in Paris before attending New York University as an undergraduate, where she studied filmmaking. She received an MFA in poetry from the University of Iowa.

Graham is the author of numerous collections of poetry, most recently From the New World: Poems 1976-2014 (Ecco, 2015); Place: New Poems (Ecco, 2012); Sea Change (Ecco, 2008); Never (2002); Swarm (2000); and The Dream of the Unified Field: Selected Poems 1974-1994, which won the 1996 Pulitzer Prize for Poetry.

About her work, James Longenbach wrote in the New York Times: "For 30 years Jorie Graham has engaged the whole human contraption — intellectual, global, domestic, apocalyptic — rather than the narrow emotional slice of it most often reserved for poems. She thinks of the poet not as a recorder but as a constructor of experience. Like Rilke or Yeats, she imagines the hermetic poet as a public figure, someone who addresses the most urgent philosophical and political issues of the time simply by writing poems."

Graham has also edited two anthologies, Earth Took of Earth: 100 Great Poems of the English Language (1996) and The Best American Poetry 1990.

Her many honors include a John D. and Catherine T. MacArthur Fellowship and the Morton Dauwen Zabel Award from The American Academy and Institute of Arts and Letters.

She has taught at the University of Iowa Writers' Workshop and is currently the Boylston Professor of Rhetoric and Oratory at Harvard University. She served as a Chancellor of the Academy of American Poets from 1997 to 2003.


Selected Bibliography

From the New World: Poems 1976-2014 (Ecco, 2015)
Place: New Poems (Ecco, 2012)
Sea Change (2008)
Never (2002)
Swarm (2000)
The Errancy (1997)
The Dream of the Unified Field: Selected Poems 1974-1994 (Ecco, 1995)
Materialism (1993)
Region of Unlikeness (1991)
The End of Beauty (Ecco, 1987)
Erosion (1983)
Hybrids of Plants and of Ghosts (Princeton University Press, 1980)

by this poet

poem

or starve. Too much. Or not enough. Or. Nothing else?
Nothing else. Too high too fast too organized too invisible.
Will we survive I ask the bot. No. To download bot be
swift—you are too backward, too despotic—to load greatly enlarge
the cycle of labor—to load abhor labor—move to the

poem
I come back indoors at dusk-end. I come back into the room with

your now finished no-longer-aching no-longer-being

body in it, the candle beside you still lit—no other

light for now. I sit by it and look at it. Another in

from the one I was
poem
Over a dock railing, I watch the minnows, thousands, swirl
themselves, each a minuscule muscle, but also, without the
way to create current, making of their unison (turning, re-
                                                infolding,
entering and exiting their own unison in unison) making of themselves