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Evie Shockley

Nashville , TN , United States
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Evie Shockley
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Born and raised in Nashville, Tennessee in 1965, Evie Shockley received her BA from Northwestern University. After studying Law at the University of Michigan, she earned her PhD in English from Duke University.

Shockley's first book, The Gorgon Goddess, was published by Carolina Wren Press in 2001. Since then she has published four books: the new black (Wesleyan University Press, 2011), a half-red sea (Carolina Wren Press, 2006), 31 words * prose poems (Belladonna* Books, 2007), and the new black (Wesleyan University Press, 2011), which received the 2012 Hurston/Wright Legacy Award in Poetry.

Embracing both free verse and formal structures, Shockley straddles the divide between traditional and experimental poetics. A review of her work in Library Journal noted that, "Shockley’s work incorporates elements of myth without being patently 'mythical' and is personal without being self-indulgent, sentimental without being saccharine." Her reported influences include Gwendolyn Brooks, Lucille Clifton, and Harryette Mullen.

A Cave Canem graduate fellow, Shockley received the 2012 Holmes National Poetry Prize. She was awarded a residency at the Hedgebrook Retreat for Women Writers in 2003. Two of her poems were displayed in the Biko 30/30 exhibit, a commemoration of the life and work of anti-apartheid activist Steven Biko, which toured South Africa in 2007.

Shockley was coeditor of the poetry journal jubilat from 2004 to 2007 and teaches African American Literature and Creative Writing at Rutgers University-New Brunswick in New Jersey.


Evie Shockley: P.O.P

Evie Shockley, P.O.P

1 of 1

by this poet

dear ink jet,

          black fast. greasy lightning.
won't smear. won't rub off.
          defense: a visual screen: ask
an octopus (bioaquadooloop).
          footprints faster than a speed-
ing bully, tracking dirt all
          over the page. make every
word count. one. two. iamb.
          octoroon. half-

at 93, you determined to pick up and go—
and stay gone. the job nkrumah called you to,
to create, at last, your encyclopedia africana
             (encompassing a continent chipped

like wood beneath an axe, a large enough
diaspora to girdle the globe, and a mere four



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