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poet

Dana Levin

, United States
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Dana Levin
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Dana Levin was raised in Lancaster, California. She received a BA from Pitzer College in 1987 and an MFA from New York University in 1992.

She is the author of Banana Palace (Copper Canyon Press, 2016), Sky Burial (Copper Canyon Press, 2011), Wedding Day (Copper Canyon Press, 2005), and In the Surgical Theatre (Copper Canyon Press, 1999), which was selected by Louise Glück to receive the APR/Honickman First Book Prize.

About her debut, In the Surgical Theatre, which also received the PEN/Joyce Osterweil Award, Glück writes, “Sensuous, compassionate, violent, extravagant: what an amazing debut this is, a book of terrors and marvels.”

In an interview with The Kenyon Review, Levin says, “I’ve come to see that I compose many poems as dramas, enactions. Therefore, pace and volume must be attended to, for essentially I am trying to render the sound of feeling (and/or the pace of thinking).”

Levin has received fellowships from the Guggenheim Foundation, the Library of Congress, the National Endowment for the Arts, the Rona Jaffe Foundation, and the Whiting Foundation, among others. She has previously taught at the University of New Mexico, Santa Fe University of Art and Design, and the College of Santa Fe. She currently serves as a distinguished writer in residence at Maryville University. She lives in St. Louis, Missouri.


Bibliography

Banana Palace (Copper Canyon Press, 2016)
Sky Burial (Copper Canyon Press, 2011)
Wedding Day (Copper Canyon Press, 2005)
In the Surgical Theatre (Copper Canyon Press, 1999)

by this poet

poem

The mind sports god-extensions.

It's the mountain from which
        the tributaries spring: self, self, self, self—

        rivering up
                on curling plumes
        from his elaborate
                head-piece

                of smoke.

poem
Through shattered glass and sheeted furniture, chicken
wire and piled dishes, sheared-off doors stacked five to a
wall, you're walking like cripples. Toward a dirty window,
obstructed by stacks of chairs.

And once you move them, one by one, palm circles through
the grime and cup your hands round your faces,
poem
It’s a thrill to say No.
 
The way it smothers
everything that beckons―
 
Any baby in a crib
will meet No’s palm
on its mouth.
 
And nothing sweet
can ever happen
 
 
             
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