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poet

Alicia Ostriker

1937- , Brooklyn , NY , United States
Chancellor 2015-
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Alicia Ostriker was born in Brooklyn, New York, in 1937. Ostriker received a BA from Brandeis University in 1959 and an MA and PhD in literature, in 1961 and 1964 respectively, from the University of Wisconsin–Madison.

She is the author of more than ten collections of poetry, including The Old Woman, the Tulip, and the Dog (University of Pittsburgh Press, 2014); At the Revelation Restaurant and Other Poems (Marick Press, 2010); The Book of Seventy (University of Pittsburgh Press, 2009); The Volcano Sequence (University of Pittsburgh Press, 2002); The Little Space: Poems Selected and New, 1968-1998 (University of Pittsburgh Press, 1998) which was a finalist for the 1999 Lenore Marshall Poetry Prize; The Crack in Everything (University of Pittsburgh Press, 1996), which was a National Book Award finalist and won both the Paterson Poetry Award and the San Francisco State Poetry Center Award; and The Imaginary Lover (University of Pittsburgh Press, 1986), winner of the William Carlos Williams Award of the Poetry Society of America.

Her numerous books of critical writing include Dancing at the Devil's Party: Essays on Poetry, Politics and the Erotic (University of Michigan Press, 2000), The Nakedness of the Fathers: Biblical Visions and Revisions (Rutgers University Press, 1994), and Stealing the Language: The Emergence of Women's Poetry in America (Beacon Press, 1986).

About Ostriker, the author Joyce Carol Oates writes, "[She] has become one of those brilliantly provocative and imaginatively gifted contemporaries whose iconoclastic expression, whether in prose or poetry, is essential to our understanding of our American selves."

In 2015, Ostriker was elected a Chancellor of the Academy of American Poets. She is professor emerita of English at Rutgers University, and a faculty member of the Drew University's low-residency poetry MFA program. She divides her time between New York City and Princeton, New Jersey.


Selected Bibliography

Poetry

The Old Woman, the Tulip, and the Dog (University of Pittsburgh Press, 2014)
At the Revelation Restaurant and Other Poems (Marick Press, 2010)
The Book of Seventy (University of Pittsburgh Press, 2009)
The Volcano Sequence (University of Pittsburgh Press, 2002)
The Little Space: Poems Selected and New, 1968-1998 (University of Pittsburgh Press, 1998)
The Crack in Everything (University of Pittsburgh Press, 1996)
The Imaginary Lover (University of Pittsburgh Press, 1986)

Prose

Dancing at the Devil's Party: Essays on Poetry, Politics and the Erotic (University of Michigan Press, 2000)
The Nakedness of the Fathers: Biblical Visions and Revisions (Rutgers University Press, 1994)
Stealing the Language: The Emergence of Women's Poetry in America (Beacon Press, 1986)

multimedia

Alicia Ostriker: Dear Poet 2016

Alicia Ostriker: Dear Poet 2016

1 of 1

by this poet

poem

As if there could be a world
Of absolute innocence
In which we forget ourselves

The owners throw sticks
And half-bald tennis balls
Toward the surf
And the happy dogs leap after them
As if catapulted—

Black dogs, tan dogs,
Tubes of glorious muscle—

Pursuing

poem

Some claim the origin of song
was a war cry
some say it was a rhyme
telling the farmers when to plant and reap
don’t they know the first song was a lullaby
pulled from a mother’s sleep
said the old woman

A significant
factor generating my delight in being
alive this

2
poem

Just finished folding laundry. There's the news. A slender prisoner, ankles shackled, nude back and legs striped by a brown substance you might take for blood but which probably is feces, hair long, arms extended at shoulder level like a dancer or like Jesus, walks toward a soldier with rolled-up pants and a gun,