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poet

Adam Clay

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Adam Clay

Adam Clay is the author of Stranger (Milkweed Editions, 2016), A Hotel Lobby at the Edge of the World (Milkweed Editions, 2012), and The Wash (Parlor Press, 2006). He is the editor in chief of Mississippi Review, coeditor of Typo Magazine, and a book review editor for Kenyon Review. He teaches creative writing and literature at the University of Southern Mississippi.

by this poet

poem

Good morning mess of stars
just out of sight

and other things we choose
to make invisible with
the promise of their own design.

Reflections may chisel its strange song,

but think of skin
worn down under

the mass of
its panic (or purpose)

but not the trajectory

poem

Like animals moving daily
through the same open field,
it should be easier to distinguish
light from dark, fabrications

from memory, rain on a sliver
of grass from dew appearing
overnight. In these moments
of desperation, a sentence

serves as a halo, the moon

poem

I wake myself imagining the shape
of the day and where I will find

myself within it. Language is not often
in that shape,

but sentences survive somehow
through the islands of dark matter,

the negative space often more important
than the positive.

Imagine finding you look

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