poem index

poet

Ada Limón

1976- , Sonoma , CA , United States
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Born March 28, 1976, Ada Limón is originially from Sonoma, California. As a child, she was greatly influenced by the visual arts and artists, including her mother, Stacia Brady. In 2001 she received an MFA from the Creative Writing Program at New York University.

Her first collection of poetry, Lucky Wreck (Autumn House Press, 2006), was the winner of the 2005 Autumn House Poetry Prize. She is also the author of The Carrying (Milkweed Editions, 2018); Bright Dead Things (Milkweed Editions, 2015), which was a finalist for the National Book Award; Sharks in the Rivers (Milkweed Editions, 2010); and This Big Fake World (Pearl Editions, 2006), winner of the 2005 Pearl Poetry Prize. Of Limón's work, the poet Richard Blanco writes, "Both soft and tender, enormous and resounding, her poetic gestures entrance and transfix."

A 2001-2002 fellow at the Provincetown Fine Arts Work Center, she has also received a grant from the New York Foundation for the Arts and won the Chicago Literary Award for Poetry. She splits her time between Lexington, Kentucky, and Sonoma, California.


Bibliography

The Carrying (Milkweed Editions, 2018)
Bright Dead Things (Milkweed Editions2015)
Sharks in the Rivers (Milkweed Editions, 2010)
This Big Fake World (Pearl Editions, 2006)
Lucky Wreck (Autumn House Press, 2006)

by this poet

poem

I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let's be honest, I like
that they're ladies. As if this big

poem

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white

2
poem

The truth is, I’ve never cared for the National
Anthem. If you think about it, it’s not a good
song. Too high for most of us with “the rockets’
red glare” and then there are the bombs.
(Always, always there is war and bombs.)
Once, I sang it at homecoming and threw
even the tenacious