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About this poet

Maggie Smith received a BA from Ohio Wesleyan University and an MFA from the Ohio State University. She is the author of Good Bones (Tupelo Press, 2017); The Well Speaks of Its Own Poison (Tupelo Press, 2015), winner of the 2012 Dorset prize and a 2016 Independent Publisher Book Award; and Lamp of the Body (Red Hen Press, 2005), winner of the Benjamin Saltman Award. Smith has received fellowships from the National Endowment for the Arts, the Ohio Arts Council, and the Virginia Center for the Creative Arts, among others. She works as a freelance writer and editor and serves as a consulting editor to the Kenyon Review. She lives in Bexley, Ohio.

Where Honey Comes From

When my daughter drizzles gold
on her breakfast toast, I remind her

she’s seen the bee men in our tree,
casting smoke like a spell until

the swarm thrums itself to sleep.
She’s seen them wipe the air clean

with smoke, the way a hand smudges
chalk from a slate, erasing danger

written there, as if smoke revises
the story of the air until each page

reads never fear, never fear. Honey
is in the hive, forbidden lantern

lit on the inside, where it must be dark,
where it must always be. Honey

is sweetness and fear. I think
the bees have learned to embroider,

to stitch the sky with warnings
untouched by smoke. Buzzing

is the sound of bees perforating the air,
as if pulling thread through over

and over, though the thread too is air.

From Weep Up (Tupelo Press, 2017). Copyright © 2017 by Maggie Smith. Used with permission of the author.

From Weep Up (Tupelo Press, 2017). Copyright © 2017 by Maggie Smith. Used with permission of the author.

Maggie Smith

Maggie Smith

Maggie Smith is the author of The Well Speaks of Its Own Poison (Tupelo Press, 2015), winner of the 2012 Dorset prize and a 2016 Independent Publisher Book Award, and Lamp of the Body (Red Hen Press, 2005). 

by this poet

poem
Just look—nothing but sincerity 
as far as the eye can see—
the way the changed leaves,
 
flapping their yellow underbellies
in the wind, glitter. The tree
looks sequined wherever
 
the sun touches. Does anyone
poem

En la tierra del olvido, donde de nada nadie se acuerda…

In the land where all is forgotten, where no one remembers anything,
birds cut off their beaks to share your sorrow, Little Torn Shoe.
Twice of half a moon throbbed,

poem

I must have missed the last train out of this gray city.
I’m scrolling the radio through shhhhh. The streetlamps

fill with light, right on time, but no one is pouring it in.
Twentieth Century, you’re gone. You’re tucked into

a sleeping car, rolling to god-knows-where, and I’m