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About this poet

Jane Kenyon was born on May 23, 1947, in Ann Arbor, Michigan, and grew up in the Midwest. She earned a BA from the University of Michigan in 1970 and an MA in 1972. That same year, Kenyon married the poet Donald Hall, whom she had met while a student at the University of Michigan. With him she moved to Eagle Pond Farm in New Hampshire.

During her lifetime Jane Kenyon published four books of poetry—: Constance (Graywolf Press, 1993), Let Evening Come (Graywolf Press, 1990), The Boat of Quiet Hours (Graywolf Press, 1986), and From Room to Room (Alice James Books, 1978)—, as well as a book of translation, Twenty Poems of Anna Akhmatova (Ally Press, 1985). In December 1993 she and Donald Hall were the subject of an Emmy Award-winning Bill Moyers documentary, "A Life Together." In 1995 Kenyon was named poet laureate of New Hampshire; she died later that year from leukemia, on April 22.


Bibliography

Poetry
Otherwise: New & Selected Poems (Graywolf Press, 1996)
Constance (Graywolf Press, 1993)
Let Evening Come (Graywolf Press, 1990)
The Boat of Quiet Hours (Graywolf Press,1986)
Twenty Poems of Anna Akhmatova (Ally Press, 1985)
From Room to Room (Alice James Books, 1978)

Prose
A Hundred White Daffodils: Essays, Interviews, the Akhmatova Translations, Newspaper Columns, and One Poem (Graywolf Press, 1999)

Three Songs at the End of Summer

Jane Kenyon, 1947 - 1995

A second crop of hay lies cut   
and turned. Five gleaming crows   
search and peck between the rows.
They make a low, companionable squawk,   
and like midwives and undertakers   
possess a weird authority.

Crickets leap from the stubble,   
parting before me like the Red Sea.   
The garden sprawls and spoils.

Across the lake the campers have learned   
to water-ski. They have, or they haven’t.   
Sounds of the instructor’s megaphone   
suffuse the hazy air. “Relax! Relax!”

Cloud shadows rush over drying hay,   
fences, dusty lane, and railroad ravine.   
The first yellowing fronds of goldenrod   
brighten the margins of the woods.

Schoolbooks, carpools, pleated skirts;   
water, silver-still, and a vee of geese.

*

The cicada’s dry monotony breaks   
over me. The days are bright   
and free, bright and free.

Then why did I cry today   
for an hour, with my whole   
body, the way babies cry?

*

A white, indifferent morning sky,   
and a crow, hectoring from its nest   
high in the hemlock, a nest as big   
as a laundry basket....
                                    In my childhood   
I stood under a dripping oak,
while autumnal fog eddied around my feet,   
waiting for the school bus
with a dread that took my breath away.

The damp dirt road gave off   
this same complex organic scent.

I had the new books—words, numbers,   
and operations with numbers I did not   
comprehend—and crayons, unspoiled   
by use, in a blue canvas satchel
with red leather straps.

Spruce, inadequate, and alien   
I stood at the side of the road.   
It was the only life I had.

Jane Kenyon, "Three Songs at the End of Summer" from Collected Poems. Copyright © 2005 by the Estate of Jane Kenyon. Reprinted with the permission of The Permissions Company, Inc., on behalf of Graywolf Press, graywolfpress.org.

Jane Kenyon, "Three Songs at the End of Summer" from Collected Poems. Copyright © 2005 by the Estate of Jane Kenyon. Reprinted with the permission of The Permissions Company, Inc., on behalf of Graywolf Press, graywolfpress.org.

Jane Kenyon

Jane Kenyon

Jane Kenyon was born in Ann Arbor, Michigan, in 1947. During her lifetime she published four books of poetry—: Constance (Graywolf Press, 1993), Let Evening Come (Graywolf Press, 1990), The Boat of Quiet Hours...

by this poet

poem
The man at the table across from mine
is eating yogurt. His eyes, following
the progress of the spoon, cross briefly
each time it nears his face. Time,
and the world with all its principalities,
might come to an end as prophesied
by the Apostle John, but what about
this man, so completely present
to the little
poem
Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles 
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver
poem
I washed a load of clothes
and hung them out to dry.
Then I went up to town
and busied myself all day.
The sleeve of your best shirt
rose ceremonious
when I drove in; our night-
clothes twined and untwined in
a little gust of wind.

For me it was getting late;
for you, where you were, not.
The harvest moon was