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On June 3, 1926, Allen Ginsberg was born in Newark, New Jersey. The son of Louis and Naomi Ginsberg, two Jewish members of the New York literary counterculture of the 1920s, Ginsberg was raised among several progressive political perspectives. A supporter of the Communist party, Ginsberg’s mother was a nudist whose mental health was a concern throughout the poet’s childhood. According to biographer Barry Miles, “Naomi’s illness gave Allen an enormous empathy and tolerance for madness, neurosis, and psychosis.”
As an adolescent, Ginsberg savored Walt Whitman, though in 1939, when Ginsberg graduated high school, he considered Edgar Allan Poe his favorite poet. Eager to follow a childhood hero who had received a scholarship to Columbia University, Ginsberg made a vow that if he got into the school he would devote his life to helping the working class, a cause he took seriously over the course of the next several years.
He was admitted to Columbia University, and as a student there in the 1940s, he began close friendships with William S. Burroughs, Neal Cassady, and Jack Kerouac, all of whom later became leading figures of the Beat movement. The group led Ginsberg to a “New Vision," which he defined in his journal: “Since art is merely and ultimately self-expressive, we conclude that the fullest art, the most individual, uninfluenced, unrepressed, uninhibited expression of art is true expression and the true art.”
Around this time, Ginsberg also had what he referred to as his “Blake vision," an auditory hallucination of William Blake reading his poems "Ah! Sunflower," "The Sick Rose," and “Little Girl Lost.” Ginsberg noted the occurrence several times as a pivotal moment for him in his comprehension of the universe, affecting fundamental beliefs about his life and his work. While Ginsberg claimed that no drugs were involved, he later stated that he used various drugs in an attempt to recapture the feelings inspired by the vision.
In 1954, Ginsberg moved to San Francisco. His mentor, William Carlos Williams, introduced him to key figures in the San Francisco poetry scene, including Kenneth Rexroth. He also met Michael McClure, who handed off the duties of curating a reading for the newly established “6” Gallery. With the help of Rexroth, the result was “The ‘6’ Gallery Reading” which took place on October 7, 1955. The event has been hailed as the birth of the Beat Generation, in no small part because it was also the first public reading of Ginsberg’s "Howl," a poem that garnered worldwide attention for him and the poets he associated with.
In response to Ginsberg’s reading, McClure wrote: “Ginsberg read on to the end of the poem, which left us standing in wonder, or cheering and wondering, but knowing at the deepest level that a barrier had been broken, that a human voice and body had been hurled against the harsh wall of America.”
Shortly after Howl and Other Poems was published in 1956 by City Lights Bookstore, it was banned for obscenity. The work overcame censorship trials, however, and “Howl” became one of the most widely read poems of the century, translated into more than twenty-two languages.
In the 1960s and 1970s, Ginsberg studied under gurus and Zen masters. As the leading icon of the Beats, Ginsberg was involved in countless political activities, including protests against the Vietnam War, and he spoke openly about issues that concerned him, such as free speech and gay rights agendas.
Ginsberg went on to publish numerous collections of poetry, including Kaddish and Other Poems (City Lights, 1961), Planet News: Poems, 1961–1967 (City Lights, 1968), and The Fall of America: Poems of These States (City Lights, 1973), which won the National Book Award.
In 1993, Ginsberg received the Chevalier des Arts et des Lettres (the Order of Arts and Letters) from the French minister of culture. He also cofounded and directed the Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Colorado. In his later years, Ginsberg became a distinguished professor at Brooklyn College.
On April 5, 1997, in New York City, he died from complications of hepatitis.
Wait Till I'm Dead: Uncollected Poems (Grove Press, 2016)
Death and Fame: Poems 1993–1997 (HarperFlamingo, 1999)
Illuminated Poems (Four Walls Eight Windows, 1996)
Selected Poems: 1947–1995 (HarperCollins, 1996)
Cosmopolitan Greetings: Poems, 1986–1993 (HarperCollins, 1994)
White Shroud: Poems, 1980–1985 (Harper & Row, 1986)
Collected Poems: 1947–1980 (Harper & Row, 1984)
Plutonian Ode: Poems 1977–1980 (City Lights, 1982)
Mind Breaths (City Lights, 1978)
First Blues: Rags, Ballads & Harmonium Songs 1971 - 1974 (Full Court Press, 1975)
The Fall of America: Poems of These States (City Lights, 1973)
The Gates of Wrath: Rhymed Poems 1948–1951 (Grey Fox Press, 1972)
Iron Horse (The Coach House Press, 1972)
Planet News, 1961–1967 (City Lights, 1968)
Reality Sandwiches, 1953–1960 (City Lights, 1963)
The Yage Letters (with William S. Burroughs, 1963)
Kaddish and Other Poems (City Lights, 1961)
Empty Mirror: Early Poems (Totem Press, 1961)
Howl and Other Poems (City Lights, 1956)
The Book of Martyrdom and Artifice: First Journals and Poems, 1937-1952 (De Capo Press, 2006)
Deliberate Prose: Selected Essays, 1952–1995 (HarperCollins, 2000)