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About this Poem 

Among other things, "The Second Coming" takes its imagery from Yeats's book, A Vision, a zodiac of sorts that he developed with his wife through "visitations" and automatic writing. Yeats claimed that she was often inhabited by spirits who came in order to describe a universal system of cyclical birth, based around a turning gyre.

The Second Coming

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun, 
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

This poem is in the public domain.

This poem is in the public domain.

W. B. Yeats

W. B. Yeats

William Butler Yeats, widely considered one of the greatest poets of the English language, received the 1923 Nobel Prize for Literature. His work was greatly influenced by the heritage and politics of Ireland.

by this poet

poem
O what to me the little room   
That was brimmed up with prayer and rest;   
He bade me out into the gloom,   
And my breast lies upon his breast.   
   
O what to me my mother's care,
The house where I was safe and warm;   
The shadowy blossom of my hair   
Will hide us from the bitter storm.   
   
O hiding
poem
Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on.  There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind,
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom
poem
We sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, "A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen
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