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About this poet

On September 10, 1886, Hilda Doolittle was born in Bethlehem, Pennsylvania. She attended Bryn Mawr, as a classmate of Marianne Moore, and later the University of Pennsylvania where she befriended Ezra Pound and William Carlos Williams.

She travelled to Europe in 1911, intending to spend only a summer, but remained abroad for the rest of her life.

Through Pound, H. D. grew interested in and quickly became a leader of the Imagist movement. Some of her earliest poems gained recognition when they were published by Harriet Monroe in Poetry.

Her work is characterized by the intense strength of her images, economy of language, and use of classical mythology. Her poems did not receive widespread appreciation and acclaim during her lifetime, in part because her name was associated with the Imagist movement even as her voice had outgrown the movement's boundaries, as evidenced by her book-length works, Trilogy and Helen in Egypt.

As Alicia Ostriker said in American Poetry Review, "H.D. by the end of her career became not only the most gifted woman poet of our century, but one of the most original poets—the more I read her the more I think this—in our language."

Neglect of H. D. can also be attributed to her times, as many of her poems spoke to an audience which was unready to respond to the strong feminist principles articulated in her work. She died in 1961.


Selected Bibliography

Poetry

Sea Garden (1916)
The God (1917)
Translations (1920)
Hymen (1921)
Heliodora and Other Poems (1924)
Hippolytus Temporizes (1927)
Red Roses From Bronze (1932)
The Walls Do Not Fall (1944)
Tribute to the Angels (1945)
Flowering of the Rod (1946)
By Avon River (1949)
Helen in Egypt (1961)
Hermetic Definition (1972)
Trilogy (1973)

Prose

Notes on Thought and Vision (1919)
Paint it Today (written 1921, published 1992)
Asphodel (written 1921-22, published 1992)
Palimpsest (1926)
Kora and Ka (1930)
Nights (1935)
The Hedgehog (1936)
Tribute to Freud (1956)
Bid Me to Live (1960)
End to Torment (1979)
HERmione (1981)
The Gift (1982)

Sea Gods

I

They say there is no hope—
sand—drift—rocks—rubble of the sea—
the broken hulk of a ship,
hung with shreds of rope,
pallid under the cracked pitch.

They say there is no hope
to conjure you—
no whip of the tongue to anger you—
no hate of words
you must rise to refute.

They say you are twisted by the sea,
you are cut apart
by wave-break upon wave-break,
that you are misshapen by the sharp rocks,
broken by the rasp and after-rasp.

That you are cut, torn, mangled,
torn by the stress and beat,
no stronger than the strips of sand
along your ragged beach.

II

But we bring violets,
great masses—single, sweet,
wood-violets, stream-violets,
violets from a wet marsh.

Violets in clumps from hills,
tufts with earth at the roots,
violets tugged from rocks,
blue violets, moss, cliff, river-violets.

Yellow violets' gold,
burnt with a rare tint—
violets like red ash
among tufts of grass.

We bring deep-purple
bird-foot violets.

We bring the hyacinth-violet,
sweet, bare, chill to the touch—
and violets whiter than the in-rush
of your own white surf.

III

For you will come,
you will yet haunt men in ships,
you will trail across the fringe of strait
and circle the jagged rocks.

You will trail across the rocks
and wash them with your salt,
you will curl between sand-hills—
you will thunder along the cliff—
break—retreat—get fresh strength—
gather and pour weight upon the beach.

You will draw back,
and the ripple on the sand-shelf
will be witness of your track.
O privet-white, you will paint
the lintel of wet sand with froth.

You will bring myrrh-bark
and drift laurel-wood from hot coasts!
when you hurl high—high—
we will answer with a shout.

For you will come,
you will come,
you will answer our taut hearts,
you will break the lie of men's thoughts,
and cherish and shelter us.

This poem is in the public domain.

This poem is in the public domain.

H. D.

H. D.

Born in 1886, Hilda Doolittle was one of the leaders of the Imagist movement.

by this poet

poem

I

Weed, moss-weed,
root tangled in sand,
sea-iris, brittle flower,
one petal like a shell
is broken,
and you print a shadow
like a thin twig.
Fortunate one,
scented and stinging,
rigid myrrh-bud,
camphor-flower,
sweet and salt—you are wind
in our

poem
I should have thought
in a dream you would have brought
some lovely, perilous thing,
orchids piled in a great sheath,
as who would say (in a dream),
"I send you this,
who left the blue veins
of your throat unkissed."

Why was it that your hands
(that never took mine),
your hands that I could see
drift over the
poem

I saw the first pear
as it fell—
the honey-seeking, golden-banded,
the yellow swarm
was not more fleet than I,
(spare us from loveliness)
and I fell prostrate
crying:
you have flayed us
with your blossoms,
spare us the beauty
of fruit-trees.

The honey-