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About this poet

Naomi Shihab Nye was born on March 12, 1952, in St. Louis, Missouri, to a Palestinian father and an American mother. During her high school years, she lived in Ramallah in Palestine, the Old City in Jerusalem, and San Antonio, Texas, where she later received her BA in English and world religions from Trinity University.

Nye is the author of numerous books of poems, including Transfer (BOA Editions, 2011); You and Yours (BOA Editions, 2005), which received the Isabella Gardner Poetry Award; 19 Varieties of Gazelle: Poems of the Middle East (Greenwillow Books, 2002), a collection of new and selected poems about the Middle East; Fuel (BOA Editions, 1998); Red Suitcase (BOA Editions, 1994); and Hugging the Jukebox (Far Corner Books, 1982).

She is also the author of several books of poetry and fiction for children, including Habibi (Simon Pulse, 1997), for which she received the Jane Addams Children's Book award in 1998.

Nye gives voice to her experience as an Arab-American through poems about heritage and peace that overflow with a humanitarian spirit. About her work, the poet William Stafford has said, "her poems combine transcendent liveliness and sparkle along with warmth and human insight. She is a champion of the literature of encouragement and heart. Reading her work enhances life."

Her poems and short stories have appeared in various journals and reviews throughout North America, Europe, and the Middle and Far East. She has traveled to the Middle East and Asia for the United States Information Agency three times, promoting international goodwill through the arts.

Nye’s honors include awards from the International Poetry Forum and the Texas Institute of Letters, the Carity Randall Prize, and four Pushcart Prizes. She has been a Lannan Fellow, a Guggenheim Fellow, and a Witter Bynner Fellow. In 1988, she received The Academy of American Poets' Lavan Award, selected by W. S. Merwin.

She was elected a Chancellor of the Academy of American Poets in 2009. She currently lives in San Antonio, Texas.


Selected Bibliography

Transfer (BOA Editions, 2011)
You and Yours (BOA Editions, 2005)
19 Varieties of Gazelle: Poems of the Middle East (Greenwillow Books, 2002)
Fuel (BOA Editions, 1998)
Red Suitcase (BOA Editions, 1994)
Hugging the Jukebox (Far Corner Books, 1982)

The Rider

Naomi Shihab Nye, 1952

A boy told me
if he roller-skated fast enough
his loneliness couldn’t catch up to him,
the best reason I ever heard
for trying to be a champion.
What I wonder tonight
pedaling hard down King William Street
is if it translates to bicycles.
A victory! To leave your loneliness
panting behind you on some street corner
while you float free into a cloud of sudden azaleas,
pink petals that have never felt loneliness,
no matter how slowly they fell.

Naomi Shihab Nye, "The Rider" from Fuel. Copyright © 1998 by Naomi Shihab Nye. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.

Naomi Shihab Nye, "The Rider" from Fuel. Copyright © 1998 by Naomi Shihab Nye. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.

Naomi Shihab Nye

Naomi Shihab Nye

Naomi Shihab Nye gives voice to her experience as an Arab-American through poems about heritage and peace that overflow with a humanitarian spirit.

by this poet

poem
For the first time, on the road north of Tampico,
I felt the life sliding out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watching palm trees swirl a sickening pattern past the glass.
My stomach was a melon split wide inside my skin.

"How do you know if you are going to
2
poem

Before jumping, remember
the span of time is long and gracious.

No one perches dangerously on any cliff
till you reply. Is there a pouch of rain

desperately thirsty people wait to drink from
when you say yes or no? I don’t think so.

Hold that thought. Hold everything.
When they

poem
The man with laughing eyes stopped smiling
to say, “Until you speak Arabic,
you will not understand pain.”

Something to do with the back of the head, 
an Arab carries sorrow in the back of the head,
that only language cracks, the thrum of stones

weeping, grating hinge on an old metal gate. 
“Once you know,” he