poem index

sign up to receive a new poem-a-day in your inbox

Recorded for Poem-a-Day, November 29, 2016.
About this Poem 

“This poem came out of a recent, almost urgent, need to point back to the earth. We have done so much harm in this life—to one another, to the ground we think we own—and I wanted the chance to speak directly to a sacred place and look for answers, or to simply lay my buzzing mind down at the mercy of the earth’s core.”
—Ada Limón

Notes on the Below

—For Mammoth Cave National Park

Humongous cavern, tell me, wet limestone, sandstone caprock,
      bat-wing, sightless translucent cave shrimp,

this endless plummet into more of the unknown,
                            how one keeps secrets for so long.

All my life, I’ve lived above the ground,
            car wheels over paved roads, roots breaking through                              concrete,
and still I’ve not understood the reel of this life’s purpose.

Not so much living, but a hovering without sense.

What’s it like to be always night? No moon, but a few lit up
      circles at your many openings. Endless dark, still time
must enter you. Like a train, like a green river?

Tell me what it is to be the thing rooted in shadow.
      To be the thing not touched by light (no that’s not it)
to not even need the light? I envy; I envy that.

Desire is a tricky thing, the boiling of the body’s wants,
            more praise, more hands holding the knives away.

I’ve been the one who has craved and craved until I could not            see
      beyond my own greed. There’s a whole nation of us.

To forgive myself, I point to the earth as witness.

To you, your Frozen Niagara, your Fat Man’s Misery,
            you with your 400 miles of interlocking caves that lead
only to more of you, tell me,

what it is to be quiet, and yet still breathing.

            Ruler of the Underlying, let me
speak to both the dead and the living as you do. Speak
to the ruined earth, the stalactites, the eastern small-footed             bat,

to honor this: the length of days. To speak to the core
      that creates and swallows, to speak not always to what’s
shouting, but to what’s underneath asking for nothing.

I am at the mouth of the cave. I am willing to crawl.

Copyright © 2016 by Ada Limón. Originally published in Poem-a-Day on November 29, 2016, this poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.

Copyright © 2016 by Ada Limón. Originally published in Poem-a-Day on November 29, 2016, this poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.

Ada Limón

Ada Limón

Ada Limón is the author of The Carrying (Milkweed Editions, 2018) and Bright Dead Things (Milkweed Editions, 2015), which was a finalist for the National Book Award.

by this poet

poem
It's a day when all the dogs of all
the borrowed houses are angel footing
down the hard hardwood of middle-America's
newly loaned-up renovated kitchen floors,
and the world's nicest pie I know
is somewhere waiting for the right
time to offer itself to the wayward
and the word-weary. How come the road
goes coast
poem

No shoes and a glossy
red helmet, I rode
on the back of my dad’s
Harley at seven years old.
Before the divorce.
Before the new apartment.
Before the new marriage.
Before the apple tree.
Before the ceramics in the garbage.
Before the dog’s chain.
Before the koi were

poem

Out here, there’s a bowing even the trees are doing.
                 Winter’s icy hand at the back of all of us.
Black bark, slick yellow leaves, a kind of stillness that feels
so mute it’s almost in another year.

I am a hearth of spiders these days: a nest of trying.

We point out the