New fronds unfurl from the joints of older ones, like fists slow to open in forgiveness but will inevitably in forgetfulness—that kind of newness green as the green of new ferns snaking fast up the old hosts’ throats turning brown beneath the ever-creep without a sound (to us— all we hear’s waves). The
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Name That Tune
Lately my 84-year-old mother’s been
hearing noises: a party in the street below
her bedroom window—gruff men cursing,
a woman’s shrieking laughter, beer cans going
“dink” off the concrete. Finally she got the nerve
to peek out: nothing but a street light. Sounds
coming from inside her, she says: pops, clicks,
swooshes, gongs, alarms, heavy steps pounding
through her as if someone’s stumbling around
on the roof. Her cellphone rings. “Hello?” No
answer from its flat, gray face. A fist pounding
on the door she never used to lock—so hard she
feared the wood would split—but the peephole:
empty. A voice in the middle of the night: “Joann!”—
impatient to get her attention, clear as day, she said.
“That must be terrifying,” I said. She giggled,
“I don’t know but it was really something!
You know that poem ‘I Sing the Body Electric’?”
“Of course. Did you recognize the voice?” I asked.
“It must’ve been my mother because she called me
‘Joann!’” she imitated her mother’s scolding voice
“in just that way.” “A woman?” I asked. “Yes,
and a stranger might call me, ‘Jody.’” “Yes,”
I agreed, so at least it’s someone who knows her.
Jennifer L. Knox
Jennifer L. Knox is the author of Days of Shame and Failure (Bloof Books, 2015), The Mystery of the Hidden Driveway (Bloof Books, 2010), Drunk by Noon (Bloof Books, 2007), and A Gringo Like Me (Bloof Books, 2007). She lives in Iowa, where she teaches at Iowa State University.