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Poet-to-Poet: Jane Hirshfield, "My Skeleton"

About this Poem 

"Where the self begins and ends, what it is and isn’t, is a question that’s long been with me. There’s no objective measuring stick for metaphysical ponderings, but I’ve come to prefer thoughts that calibrate toward both realism and tenderness—toward life’s bite but also its dearness. I’ve also come to like poems with facts in them. Bone does, quite factually, reabsorb into the body as the growing pains of childhood turn into the diminishing bone mass that marks its other end. Self returns to non-self. But in between, neither quite one or the other, the skeleton is there, almost always ignored and invisible, every step and breath of the way."
—Jane Hirshfield

My Skeleton

My skeleton,
you who once ached
with your own growing larger

are now,
each year
imperceptibly smaller,
lighter,
absorbed by your own
concentration.

When I danced,
you danced.
When you broke,
I.

And so it was lying down,
walking,
climbing the tiring stairs.
Your jaws. My bread.

Someday you,
what is left of you,
will be flensed of this marriage.

Angular wristbone's arthritis,
cracked harp of ribcage,
blunt of heel,
opened bowl of the skull,
twin platters of pelvis—
each of you will leave me behind,
at last serene.

What did I know of your days,
your nights,
I who held you all my life
inside my hands
and thought they were empty?

You who held me all my life
inside your hands
as a new mother holds
her own unblanketed child,
not thinking at all.

Copyright © 2013 by Jane Hirshfield. Used with permission of the author. This poem appeared in Poem-A-Day on October 14, 2013. Browse the Poem-A-Day archive.

Copyright © 2013 by Jane Hirshfield. Used with permission of the author. This poem appeared in Poem-A-Day on October 14, 2013. Browse the Poem-A-Day archive.

Jane Hirshfield

Jane Hirshfield

Jane Hirshfield is the author of eight collections of poetry, includingThe Beauty: Poems (Alfred A. Knopf, 2015), which was nominated for the National Book Award. She currently serves as a Chancellor of the Academy of American Poets.

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An extra day—

Like the painting’s fifth cow,
who looks out directly,
straight toward you,
from inside her black and white spots.

An extra day—

Accidental, surely:
the made calendar stumbling over the real
as a drunk trips over a threshold
too low to see.

An

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But with the sentence: "Use your failures for paper." Meaning, I understood, the backs of failed poems, but also my life. Whose far side I begin now to enter— A book imprinted without seeming season, each blank day bearing on its reverse, in random order, the mad-set type of another. December 12, 1960. April

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They have discovered, they say,
the protein of itch—
natriuretic polypeptide b—
and that it travels its own distinct pathway
inside my spine.
As do pain, pleasure, and heat.

A body it seems is a highway,
a cloverleaf crossing
well built, well traversed.
Some of me going

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