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Poet-to-Poet: Jane Hirshfield, "My Skeleton"

About this Poem 

"Where the self begins and ends, what it is and isn’t, is a question that’s long been with me. There’s no objective measuring stick for metaphysical ponderings, but I’ve come to prefer thoughts that calibrate toward both realism and tenderness—toward life’s bite but also its dearness. I’ve also come to like poems with facts in them. Bone does, quite factually, reabsorb into the body as the growing pains of childhood turn into the diminishing bone mass that marks its other end. Self returns to non-self. But in between, neither quite one or the other, the skeleton is there, almost always ignored and invisible, every step and breath of the way."
—Jane Hirshfield

My Skeleton

My skeleton,
you who once ached
with your own growing larger

are now,
each year
imperceptibly smaller,
lighter,
absorbed by your own
concentration.

When I danced,
you danced.
When you broke,
I.

And so it was lying down,
walking,
climbing the tiring stairs.
Your jaws. My bread.

Someday you,
what is left of you,
will be flensed of this marriage.

Angular wristbone's arthritis,
cracked harp of ribcage,
blunt of heel,
opened bowl of the skull,
twin platters of pelvis—
each of you will leave me behind,
at last serene.

What did I know of your days,
your nights,
I who held you all my life
inside my hands
and thought they were empty?

You who held me all my life
inside your hands
as a new mother holds
her own unblanketed child,
not thinking at all.

Copyright © 2013 by Jane Hirshfield. Used with permission of the author. This poem appeared in Poem-a-Day on October 14, 2013.

Copyright © 2013 by Jane Hirshfield. Used with permission of the author. This poem appeared in Poem-a-Day on October 14, 2013.

Jane Hirshfield

Jane Hirshfield

Jane Hirshfield is the author of eight collections of poetry, includingThe Beauty: Poems (Alfred A. Knopf, 2015), which was long listed for the National Book Award. She served as a Chancellor of the Academy of American Poets from 2012 to 2017.

by this poet

poem

but today
in rain

without coat     without hat

2
poem

It was like this:
you were happy, then you were sad,
then happy again, then not.

It went on.
You were innocent or you were guilty.
Actions were taken, or not.

At times you spoke, at other times you were silent.
Mostly, it seems you were silent—what could you say?

Now it is

poem
A hand is not four fingers and a thumb.

Nor is it palm and knuckles,
not ligaments or the fat's yellow pillow,
not tendons, star of the wristbone, meander of veins.

A hand is not the thick thatch of its lines
with their infinite dramas,
nor what it has written,
not on the page,
not on the ecstatic body.

Nor