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Poet-to-Poet: Jane Hirshfield, "My Skeleton"

About this Poem 

"Where the self begins and ends, what it is and isn’t, is a question that’s long been with me. There’s no objective measuring stick for metaphysical ponderings, but I’ve come to prefer thoughts that calibrate toward both realism and tenderness—toward life’s bite but also its dearness. I’ve also come to like poems with facts in them. Bone does, quite factually, reabsorb into the body as the growing pains of childhood turn into the diminishing bone mass that marks its other end. Self returns to non-self. But in between, neither quite one or the other, the skeleton is there, almost always ignored and invisible, every step and breath of the way."
—Jane Hirshfield

My Skeleton

My skeleton,
you who once ached
with your own growing larger

are now,
each year
imperceptibly smaller,
lighter,
absorbed by your own
concentration.

When I danced,
you danced.
When you broke,
I.

And so it was lying down,
walking,
climbing the tiring stairs.
Your jaws. My bread.

Someday you,
what is left of you,
will be flensed of this marriage.

Angular wristbone's arthritis,
cracked harp of ribcage,
blunt of heel,
opened bowl of the skull,
twin platters of pelvis—
each of you will leave me behind,
at last serene.

What did I know of your days,
your nights,
I who held you all my life
inside my hands
and thought they were empty?

You who held me all my life
inside your hands
as a new mother holds
her own unblanketed child,
not thinking at all.

Copyright © 2013 by Jane Hirshfield. Used with permission of the author. This poem appeared in Poem-a-Day on October 14, 2013.

Copyright © 2013 by Jane Hirshfield. Used with permission of the author. This poem appeared in Poem-a-Day on October 14, 2013.

Jane Hirshfield

Jane Hirshfield

Jane Hirshfield is the author of eight collections of poetry, includingThe Beauty: Poems (Alfred A. Knopf, 2015), which was long listed for the National Book Award. She currently serves as a Chancellor of the Academy of American Poets.

by this poet

poem

If the gods bring to you
a strange and frightening creature,
accept the gift
as if it were one you had chosen.

Say the accustomed prayers,
oil the hooves well,
caress the small ears with praise.

Have the new halter of woven silver
embedded with jewels.
Spare no expense

2
poem

An extra day—

Like the painting’s fifth cow,
who looks out directly,
straight toward you,
from inside her black and white spots.

An extra day—

Accidental, surely:
the made calendar stumbling over the real
as a drunk trips over a threshold
too low to see.

An

2
poem

It was like this:
you were happy, then you were sad,
then happy again, then not.

It went on.
You were innocent or you were guilty.
Actions were taken, or not.

At times you spoke, at other times you were silent.
Mostly, it seems you were silent—what could you say?

Now it is