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About this Poem 

This poem is included in Frost's first book, A Boy's Will, which was followed the next year by North of Boston. Though Frost's poetry and reputation is centered in New England life, he was actually born in California and received the first real attention for his writing in England.

A Line-storm Song

The line-storm clouds fly tattered and swift,  
  The road is forlorn all day,  
Where a myriad snowy quartz stones lift,  
  And the hoof-prints vanish away.  
The roadside flowers, too wet for the bee,
  Expend their bloom in vain.  
Come over the hills and far with me,  
  And be my love in the rain.  
  
The birds have less to say for themselves  
  In the wood-world’s torn despair
Than now these numberless years the elves,  
  Although they are no less there:  
All song of the woods is crushed like some  
  Wild, easily shattered rose.  
Come, be my love in the wet woods; come,
  Where the boughs rain when it blows.  
  
There is the gale to urge behind  
  And bruit our singing down,  
And the shallow waters aflutter with wind  
  From which to gather your gown.     
What matter if we go clear to the west,  
  And come not through dry-shod?  
For wilding brooch shall wet your breast  
  The rain-fresh goldenrod.  
  
Oh, never this whelming east wind swells    
  But it seems like the sea’s return  
To the ancient lands where it left the shells  
  Before the age of the fern;  
And it seems like the time when after doubt  
  Our love came back amain.       
Oh, come forth into the storm and rout  
  And be my love in the rain. 

This poem is in the public domain.

This poem is in the public domain.

Robert Frost

Robert Frost

One of the most celebrated poets in America, Robert Frost was an author of searching and often dark meditations on universal themes and a quintessentially modern poet in his adherence to language as it is actually spoken, in the psychological complexity of his portraits, and in the degree to which his work is infused with layers of ambiguity and irony.

by this poet

poem

Let myself in at the kitchen door.
“It’s you,” she said. “I can’t get up. Forgive me
Not answering your knock. I can no more
Let people in than I can keep them out.
I’m getting too old for my size, I tell them.
My fingers are about all I’ve the use of
So’s to take any

poem
Oh, give us pleasure in the flowers to-day;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round
poem
All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He