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Recorded as part of the Poem-a-Day series, September 4, 2015
About this Poem 

“I get caught up easily in Jean-Michel Basquiat’s paintings, especially his work focusing on boxers and jazz. His painting from 1984, ‘Trumpet,’ cracked open a tense holiday moment from my childhood. I don’t remember any actual trumpets at that holiday fracas, but Basquiat’s lines and pigments always seem to create unexpected opportunities for improvisation and meditation.”
Adrian Matejka

& Later,

—after “Trumpet,” Jean-Michel Basquiat


the broken sprawl & crawl
of Basquiat’s paints, the thin cleft

          of villainous pigments wrapping 

each frame like the syntax
          in somebody else’s relaxed

explanation of lateness: what had
          happened was.
Below blackened

crowns, below words crossed out
to remind of what is underneath:

          potholes, ashy elbows, & breath

that, in the cold, comes out in red light

& complaint shapes— 3 lines
          from the horn’s mouth
in the habit of tardy remunerations.

All of that 3-triggered agitation,

all that angry-fingered fruition   

like Indianapolis’s 3-skyscrapered smile
when the sun goes down & even

the colors themselves start talking

          in the same suspicious idiom
          as a brass instrument—

thin throat like a fist,

          flat declinations of pastors
& teachers at Christmas in the inner city.

Shoulders back & heads up when
playing in holiday choir of hungry

          paints, chins covered
in red scribbles in all of the songs.

Copyright © 2015 by Adrian Matejka. Originally published in Poem-a-Day on September 4, 2015, by the Academy of American Poets

Copyright © 2015 by Adrian Matejka. Originally published in Poem-a-Day on September 4, 2015, by the Academy of American Poets

Adrian Matejka

Adrian Matejka

Adrian Matejka is the author of The Big Smoke (Penguin, 2013), which was nominated for both a National Book Award and a Pulitzer Prize. He lives in Bloomington, Indiana. 

by this poet

poem

When 213b finally opens in a crack of yellow linoleum, 
Garrett comes out with the left side of his afro as flat 
as the tire that used to be on his mom’s car & the stuck 
snick of the cheap door locking behind him sounds exactly 
like someone trying to light a smoke with an empty
poem

There’s a father sleeping it off in every master bedroom 
     of the cul-de-sac the morning after, so Saturday
morning is a snooze. The moon is still out, eyeballing
     the quiet street like Sun Ra did his Arkestra. Somebody
has to be a father figure for all of those musical notes.
    

2
poem

 

—Indiana Dunes National Lakeshore, 2016

 

1.

Just off of Highway 12, Sandburg’s signature
of time & eternity: the muggy marshes

& thick forests of the mind, sand that sings
its memory of glaciers & the glaciers before

them. 14,000 years of them.