What is a wound but a flower dying on its descent to the earth, bag of scent filled with war, forest, torches, some trouble that befell now over and done. A wound is a fire sinking into itself. The tinder serves only so long, the log holds on and still it gives up, collapses into its bed of ashes and sand. I
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Man-made, bejesus hot, patches of sand turned to glass.
Home of Iron Mountain and McCulloch chainsaws.
London Bridge, disassembled, shipped, reassembled.
The white sturgeon stocked, found dead, some lost,
hiding in the depths of Parker Dam. Fifty year-old
monsters, maybe twenty feet long. Lake named
for the Mojave word for blue. Havasu. Havasu.
What we called the sky on largemouth bass days,
striped bass nights, carp, catfish, crappie, razorback,
turtles, stocked, caught, restocked. I stood waist deep
in that dammed blue, and I was beautiful, a life saver
resting on my young hips, childless, oblivious
to politics, to the life carted in and dumped
into the cauldron I swam through, going under,
gliding along the cool sand like a human fish,
white bikini-ed shark flashing my blind side.
We heard a woman died, face down in the sand,
drunk on a 125 degree day. That night we slept
on dampened sheets, a hotel ice bucket on the
bedside table. We sucked the cubes round, slid
the beveled edges down our thighs and spines,
let them melt to pools in the small caves
below our sternums. While you slept beside me
I thought of that woman, her body one long
third degree burn, sweating and turning
under a largo moon, the TV on: seven dead
from Tylenol, the etched black wedge of the
Vietnam Memorial, the Commodore Computer
unveiled, the first artificial heart, just beginning
to wonder if something might be wrong.
The author of several collections of poetry, Dorianne Laux was the recipient of the Oregon Book Award and a finalist for the National Books Critics Circle Award for her book Facts About the Moon