poem index

sign up to receive a new poem-a-day in your inbox

About this poet

Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, 1840. He trained as an architect and worked in London and Dorset for ten years.

Hardy began his writing career as a novelist, publishing Desperate Remedies (Tinsley Brothers) in 1871, and was soon successful enough to leave the field of architecture for writing. His novels Tess of the D'Urbervilles (Osgood McIlvaine & Co., 1891) and Jude the Obscure (Osgood McIlvaine & Co., 1895), which are considered literary classics today, received negative reviews upon publication. He left fiction writing for poetry and published eight collections, including Poems of the Past and the Present (Harper & Bros., 1902) and Satires of Circumstance (Macmillan, 1914).

Hardy's poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief in a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with a variety of meters and stanzaic forms. A significant influence on later poets (including FrostAudenDylan Thomas, and Philip Larkin), his influence has increased during the course of the century, offering a more down-to-earth, less rhetorical alternative to the more mystical and aristocratic precedent of Yeats. Thomas Hardy died on January 11, 1928.


Selected Bibliography

Poetry
Collected Poems of Thomas Hardy (Macmillan, 1920)
Moments of Vision (Macmillan, 1917)
Selected Poems of Thomas Hardy (Macmillan, 1916)
Satires of Circumstance (Macmillan, 1914)
Time's Laughingstocks (Macmillan, 1909)
The Dynasts (Macmillan, 1904)
Poems of the Past and the Present (Harper & Bros., 1902)

Letters
Jude the Obscure (Osgood McIlvaine & Co., 1895)
Tess of the D'Urbervilles (Osgood McIlvaine & Co., 1891)
The Woodlanders (Harper & Bros., 1887)
The Mayor of Casterbridge (J. W. Lovell, 1886)
Two on a Tower (J. W. Lovell, 1882)
A Laodicean (Harper & Bros., 1881)
The Trumpet Major (Henry Holt & Co., 1880)
The Return of the Native (Henry Holt & Co., 1878)
Far from the Madding Crowd (Smith, Elder & Co., 1876)
The Hand of Ethelberta (Henry Holt & Co., 1876)
A Pair of Blue Eyes (Henry Holt & Co., 1873)
Under the Greenwood Tree (Tinsley Brothers, 1872)
Desperate Remedies (Tinsley Brothers, 1871)

The High-School Lawn

Gray prinked with rose,
White tipped with blue,
Shoes with gay hose,
Sleeves of chrome hue;
Fluffed frills of white,
Dark bordered light;
Such shimmerings through
Trees of emerald green are eyed
This afternoon, from the road outside.

They whirl around:
Many laughters run
With a cascade's sound;
Then a mere one.

A bell: they flee:
Silence then: —
So it will be
Some day again
With them, — with me.

This poem appeared in Poem-A-Day on June 2, 2013. Browse the Poem-A-Day archive. This poem is in the public domain.

This poem appeared in Poem-A-Day on June 2, 2013. Browse the Poem-A-Day archive. This poem is in the public domain.

Thomas Hardy

Thomas Hardy

Thomas Hardy, whose books include Tess of the d'Urbervilles and Jude the Obscure, was one of the most influentual novelists and poets of England's Victorian era. He died on January 11, 1928.

by this poet

poem
(In Memoriam F. W. G.)

     Orion swung southward aslant
     Where the starved Egdon pine-trees had thinned,
     The Pleiads aloft seemed to pant
     With the heather that twitched in the wind;
But he looked on indifferent to sights such as these,
Unswayed by love, friendship, home joy or home sorrow,
And
poem

I

They throw in Drummer Hodge, to rest
     Uncoffined—just as found:
His landmark is a kopje-crest
     That breaks the veldt around;
And foreign constellations west
     Each night above his mound.
 

II

Young Hodge the Drummer never knew—
     Fresh from his

poem

             That mirror
         Which makes of men a transparency,
             Who holds that mirror
And bids us such a breast-bared spectacle to see
             Of you and me?

             That mirror
         Whose magic penetrates like a dart,
             Who lifts that