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About this poet

Layli Long Soldier received a BFA from the Institute of American Indian Arts and an MFA from Bard College. She is the author of WHEREAS (Graywolf Press, 2017), which was short-listed for the National Book Award. Long Soldier has received a Lannan Literary Fellowship, a National Artist Fellowship from the Native Arts and Cultures Foundation, and a Whiting Writers’ Award. She teaches at Diné College and lives in Tsaile, Arizona.

Ȟe Sápa, One

Ȟe is a mountain as hé is a horn that comes from a shift in the river, throat to mouth. Followed by sápa, a kind of black sleek in the rise of both. Remember. Ȟe Sápa is not a black hill, not Pahá Sápa, by any name you call it. When it lives in past tense, one would say it was not Red Horn either; was not a rider on horse on mount and did not lead a cavalry down the river and bend, not decoy to ambush and knee buckle
                                                             to ten or twenty, perhaps every
                                                                                   horse face in water.
Its rank is a mountain and must live as a mountain, as a black horn does from base to black horn tip. See it as you come, you approach. To remember it, this is like gravel.

From WHEREAS. Copyright © 2017 by Layli Long Soldier. Used by permission of The Permissions Company, Inc. on behalf of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org.

From WHEREAS. Copyright © 2017 by Layli Long Soldier. Used by permission of The Permissions Company, Inc. on behalf of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org.

Layli Long Soldier

Layli Long Soldier is the author of WHEREAS (Graywolf Press, 2017).

by this poet

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my first try I made a hit it dropped from morning gray the smallest shadow both wings slipped inward mid-flight the man barked Now I shot again and again a third time with each arrow through the target I thought was it luck or was it skill luck or skill as the last one fell

its awkward shape made me

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Because drag changes when spoken of in the past i.e. he was dragged or they drug him down the long road, the pale rock and brown. Down dust, a knocking path. And to drag has a begin point (though two are considered): begins when man is bound; begins also with one first tug.

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Inside the wheels of wrists and hands, a white shore of book and shell.
I kneel in the hairline light of kitchen and home
where I remember the curt shuttle of eyes down, eyes up—
where I asked, are you looking at how I’ve become two?