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About this poet

On December 15, 1913, Muriel Rukeyser was born in New York City. She attended Vassar College for two years and then moved back to New York where she took classes at Columbia University. Her first collection of poems, Theory of Flight, won the Yale Series of Younger Poets Competition in 1935. Her subsequent books of poetry would be inspired by certain events she witnessed, including the Scottsboro trial in Alabama, the Gauley Bridge tragedy in West Virginia, and the civil war in Spain.

"Muriel Rukeyser's poetry is unequalled in the twentieth-century United States in its range of reference, its generosity of vision, and its energy," wrote Adrienne Rich. "She pushes us, readers, writers, and participants in the life of our time, to enlarge our sense of what poetry is about in the world, and of the place of feelings and memory in politics."

"For (Rukeyser), poetry could encompass both science and history, that of the past and of the present, from the Depression through the anti-war movements in which the poet was active at the end of her career," writes Marilyn Hacker in her essay, "Brooks, H. D., and Rukeyser: Three Women Poets in the First Century of World Wars."

The violence and injustice Rukeyser saw in the United States and abroad informed her poetry. She felt a deep responsibility to comment on human rights issues and was particularly concerned with gender, class, and racial inequalities. She frequently documented her own emotional experiences within the context of a greater political or social events, and her poems became, in part, a platform for social protest. One of Rukeyser's last poems, "The Gates," was written in South Korea where she protested the imprisonment of poet Kim Chi Ha.

"She was the first poet that I knew personally," William Meredith once told the Paris Review, "I knew her when I was still an undergraduate. She was a very amazing human being and any traces of honesty in my life come from having seen how beautifully honest she was in administering her life and her poetry without any separation—you couldn't get a knife between the two things with her. The real influence was her human model of what a poet could be."

Rukeyser received a fellowship from the National Endowment for the Arts in 1966. Her wide technical range, which included employing lyrical forms and documentary narrative, is illustrated in her Collected Poems (1979). Many poets have claimed Rukeyser's influence on their work, Anne Sexton among them. She died in New York City on February 12, 1980.

Selected Bibliography


Theory of Flight (1935)
Mediterranean (1938)
U.S. 1 (1938)
A Turning Wind (1939)
The Soul and Body of John Brown (1940)
Wake Island (1942)
Beast in View (1944)
The Children's Orchard (1947)
The Green Wave (1948)
Elegies (1949)
Orpheus (1949)
Body of Waking (1958)
Waterlily Fire: Poems 1932-1962 (1962)
The Outer Banks (1967)
The Speed of Darkness (1968)
29 Poems (1970)
Breaking Open (1973)
The Gates (1976)
Out of Silence: Selected Poems (1992)
The Collected Poems of Muriel Rukeyser (2005)


Willard Gibbs: American Genius (1942)
The Life of Poetry (1949)
One Life (1957)
The Orgy (1967)
Poetry, and Unverifiable Facts (1968)
The Traces of Thomas Harriet (1971)
The Education of a Poet (1976)
Savage Coast (2013)


Selected Poems of Octavio Paz (1963)
Sun Stone (1963)
Selected Poems of Gunnar Ekelöf (1967)
Three Poems of Gunnar Ekelöf (1967)
Uncle Eddie's Moustache (1974)


The Middle of the Air (1945)
All the Way Home (1958)
The Colors of the Day (1961)
Houdini (1973)


Come Back Paul (1955)
I Go Out (1961)
Bubbles (1967)
Mazes (1970)

Elegy in Joy [excerpt]

We tell beginnings: for the flesh and the answer,
or the look, the lake in the eye that knows,
for the despair that flows down in widest rivers,
cloud of home; and also the green tree of grace,
all in the leaf, in the love that gives us ourselves.

The word of nourishment passes through the women,
soldiers and orchards rooted in constellations,
white towers, eyes of children: 
saying in time of war What shall we feed?
I cannot say the end.

Nourish beginnings, let us nourish beginnings.
Not all things are blest, but the
seeds of all things are blest.
The blessing is in the seed.

This moment, this seed, this wave of the sea, this look, this instant of love.
Years over wars and an imagining of peace. Or the expiation journey
toward peace which is many wishes flaming together,
fierce pure life, the many-living home.
Love that gives us ourselves, in the world known to all
new techniques for the healing of the wound,
and the unknown world.  One life, or the faring stars.

From Birds, Beasts, and Seas, edited by Jeffrey Yang, published by New Directions. Copyright © 2011. Used by permission of the publisher. All rights reserved.

From Birds, Beasts, and Seas, edited by Jeffrey Yang, published by New Directions. Copyright © 2011. Used by permission of the publisher. All rights reserved.

Muriel Rukeyser

Muriel Rukeyser

Born in 1913, Muriel Rukeyser drew on many different sources of inspiration and used her poetry as a mode of social protest.

by this poet



When I wrote of the women in their dances and 
      wildness, it was a mask,
on their mountain, god-hunting, singing, in orgy,
it was a mask; when I wrote of the god,
fragmented, exiled from himself, his life, the love gone
      down with song,
it was myself, split open,


Click the icon above to listen to this audio poem.

This has nothing
to do with

The species
is continued
as so many are
(among the smaller creatures)
by fission

(and this species
is very small
next in order to
the amoeba, the beginning one)

The paramecium
achieves, then,
by dividing

But when
the paramecium
desires renewal