poem index

sign up to receive a new poem-a-day in your inbox

occasions

About this poet

Dora Malech is the author of Say So (Cleveland State University Poetry Center, 2011) and Shore Ordered Ocean (Waywiser Press, 2009). She is the recipient of a Writer’s Fellowship at the Civitella Ranieri Center, a Ruth Lilly Poetry Fellowship, and an Amy Clampitt Residency Award. She lives in Baltimore, where she is an assistant professor in The Writing Seminars at Johns Hopkins University.

Each year

                  I snap the twig to try to trap
the springing and I relearn the same lesson.
You cannot make a keepsake of this season. 
Your heart's not the source of that sort of sap,
lacks what it takes to fuel, rejects the graft,
though for a moment it's your guilty fist 
that's flowering. You're no good host to this
extremity that points now, broken, back at
the dirt as if to ask are we there yet.
You flatter this small turn tip of a larger 
book of matches that can't refuse its end,
re-fuse itself, un-flare. Sure. Now forget
again. Here's a new green vein, another
clutch to take, give, a handful of seconds.

Copyright © 2010 by Dora Malech. Used with permission of the author.

Copyright © 2010 by Dora Malech. Used with permission of the author.

Dora Malech

Dora Malech

Dora Malech is the author of Say So (Cleveland State University Poetry Center, 2010) and Shore Ordered Ocean (Waywiser Press, 2009).

by this poet

poem

In my favorite version, the man recites the alphabet
over and over, and when asked, he says he is praying.
He admits he lacks the words, but says perhaps if he provides
enough letters, God can piece his purpose back together.

The word is kavanah, translates to concentration or

poem

Opening shot: morning. Mid-May. Mid-maybe,
misgiving, mistake, mid-take your time repeating after me
so long, so longing, lost and short of breath. Start
to finished lines means each between-the-line by heart

where hem reacts to haw—close shot—the big to-do list,
lights and stunts, month

poem

A long-gone hand behind this scrap of map
dips the brush into red lead again
and lifts the wet tip up to fly across
an ocean and touch down in the unknown
where it emblazons its best guesses, draws
ornate conclusions in the far shore's sand.

Now, as ever, dawn illuminates
the