poem index

sign up to receive a new poem-a-day in your inbox

September 2, 2010The Arsenal Building, Central ParkNew York, NYFrom the Academy Audio Archive

About this poet

Monica Youn grew up in Houston, Texas. She received a BA from Princeton University, a JD from Yale Law School, and an MPhil from the University of Oxford, where she was a Rhodes Scholar.

Youn is the author of Blackacre (Graywolf Press, 2016), a finalist for the 2016 National Book Award in poetry; Ignatz (Four Way Books, 2010), a finalist for the 2010 National Book Award; and Barter (Graywolf Press, 2003).

Of Blackacre, Stanley Fish writes, “In Monica Youn’s remarkable series of poems, words and objects are alike subjected to a probing intelligence that is at once philosophical and psychological. The precision of observation at every level is almost overwhelming.”

Youn has received poetry fellowships from the Library of Congress, the Rockefeller Foundation, and Stanford University. She is also known for her work as a lawyer specializing in election law. She has previously taught at Bennington College, Columbia University, and Warren Wilson College, among others. She currently teaches at Princeton University and lives in New York City.


Bibliography

Blackacre (Graywolf Press, 2016)
Ignatz (Four Way Books, 2010)
Barter (Graywolf Press, 2003)

The Death of Ignatz (audio only)

 

Click the icon above to listen to this audio poem.

Monica Youn

Monica Youn

Monica Youn is the author of Blackacre (Graywolf Press, 2016). She teaches at Princeton University and lives in New York City.

by this poet

poem

one day they showed me a dark moon ringed

with a bright nimbus on a swirling gray screen

they called it my last chance for neverending life

but the next day it was gone it had

poem

What is your face?
          A house, of sorts.

What is your foot?
          A chipped stone blade.

What did you dream?
          A rain-washed road.

What did it mean?
          It meant nothing.

What have you learned?

poem
It was hardly a high-tech operation, stealing The Scream.
That we know for certain, and what was left behind--
a store-bought ladder, a broken window,
and fifty-one seconds of videotape, abstract as an overture.

And the rest? We don't know. But we can envision
moonlight coming in through the broken