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Recorded for Poem-a-Day, August 22, 2017.
About this Poem 

“I’m always writing about Washington, D.C.—at the ground level—and the corners of East Capitol and Benning Road in Southeast D.C. mark a psychically charged nexus for me. On one corner, I watched a woman wailing after the Darren Wilson verdict. It’s an intersection that floods heavily as the thunderstorms passing through the region have strengthened. And it’s where I pass and palaver with Brother Rickey from the mosque. And even though it is outside, it represents a blk interior space (thinking of Elizabeth Alexander’s The Black Interior)—the D.C. within the political Washington that is simultaneously healing and vexing and at threat of being lost to demographic inversion. The poem is an attempt to capture the mental strain from the knot all these threads create.”
—Kyle Dargan

Daily Conscription

“We can no longer afford that particular romance.”
—James Baldwin

Brother Rickey halts me before I cross East
Capitol. He trumpets that we are at war.

I want to admit that I don’t believe in “white”
—in the manner that Baldwin did not—but Brother

Rickey would simply retort that my disbelief
is no immunity from the imaginations of those

who think themselves “white.” As we await
the stoplight’s shift—so I may walk and he may

holler “Final Call!” between lanes of idle traffic—
I think of race as something akin to climate change,

a force we don’t have to believe in for it to kill us.
I once believed in the seasons. (I fantasize

fall as Brother Rickey’s favorite—when his suits,
boxy and plaid, would be neither too hot nor

thin.) But we are losing spring and fall—tripping
from blaze to frost and back. And what’s to say

we won’t soon shed another season, one of these
remaining two, and live on either an Earth

of molten streets or one of frozen light? That’s when
worlds end, no—when, after we’ve eradicated

ourselves, we become faint fossils to be exhumed
by the curiosities of whichever life-forms follow

our reign? I still owe Brother Rickey two dollars
for the paper he last placed in my hand, calling me

“soldier.” I don’t have to believe that I am enlisted
in order to understand he’ll forgive my debt

so long as this idea of “whiteness” sorties above us—
ultraviolet, obliging an aseasonal, unending deployment.

Released by the signal, I advance—my head down,
straining to discern the crossfire from the cover.
 

Copyright © 2017 by Kyle Dargan. Originally published in Poem-a-Day on August 22, 2017, by the Academy of American Poets.

Copyright © 2017 by Kyle Dargan. Originally published in Poem-a-Day on August 22, 2017, by the Academy of American Poets.

Kyle Dargan

Kyle Dargan

Kyle Dargan is the author of Anagnorisis (Northwestern University Press, 2018).

by this poet

poem
But my loyalty
   	points—my purchasing
   	power. Nothing.

But my economies
   	of scale, my digital
   	compression :: companionship.

But my all-
   	you-can-eat
   	loneliness, my rail-
   	rapid integration.

But my market-
   	driven love
   	handles, my accrued
   	vacancy.

But my taste
   	in artisanal
2
poem

On a railroad car in your America,
I made the acquaintance of a man
who sang a life-song with these lyrics:
"Do whatever you can/ to avoid
becoming a roofing man."
I think maybe you'd deem his tenor
elitist, or you'd hear him as falling
off working-class key. He sang
not from

poem

after Lorde

Your body is not my pommel horse
nor my Olympic pool or diving board.
Your body is not my personal Internet
channel nor my timeline,
nor my warm Apollo spotlight.
Your body is not my award
gala. Your body is not my game—
preseason or playoffs.
Your