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About this poet

January Gill O’Neil was born in Norfolk, Virginia, and received a BA from Old Dominion University and an MFA from New York University. She is the author of Misery Islands (CavanKerry Press, 2014), winner of a 2015 Paterson Award for Literary Excellence, and Underlife (CavanKerry Press, 2009). She has received fellowships from Cave Canem and the Barbara Deming Memorial Fund. The executive director of the Massachusetts Poetry Festival, O’Neil also serves on the Association of Writers and Writing Programs’ board of directors and teaches at Salem State University. She lives in Beverly, Massachusetts.

In the Company of Women

Make me laugh over coffee,
make it a double, make it frothy
so it seethes in our delight.
Make my cup overflow
with your small happiness.
I want to hoot and snort and cackle and chuckle.
Let your laughter fill me like a bell.
Let me listen to your ringing and singing
as Billie Holiday croons above our heads.
Sorry, the blues are nowhere to be found.
Not tonight. Not here.
No makeup. No tears.
Only contours. Only curves.
Each sip takes back a pound,
each dry-roasted swirl takes our soul.
Can I have a refill, just one more?
Let the bitterness sink to the bottom of our lives.
Let us take this joy to go.

From Misery Islands (CavanKerry Press, 2014). Copyright © 2014 by January Gill O’Neil. Used with the permission of the author.

From Misery Islands (CavanKerry Press, 2014). Copyright © 2014 by January Gill O’Neil. Used with the permission of the author.

January Gill O'Neil

January Gill O'Neil

January Gill O’Neil is the author of Misery Islands (CavanKerry Press, 2014), winner of a 2015 Paterson Award for Literary Excellence, and Underlife (CavanKerry Press, 2009). She lives in Beverly, Massachusetts.

by this poet

poem
Start with your own body,
the small bones of the hands
moving toward the inlets of the fingers.

Wanting it too much invites haste.
You must love what is raw
and hungered for.

Think of the crab cake as the ending,
as you till away at the meat, digging for
errant shells and jagged edges.

Always, it’s a matter of
poem
A gray hoodie will not protect my son 
from rain, from the New England cold.

I see the partial eclipse of his face
as his head sinks into the half-dark

and shades his eyes. Even in our 
quiet suburb with its unlocked doors, 

I fear for his safety—the darkest child
on our street in the empire of blocks.
poem
I remember picking up a fistful 
of sand, smooth crystals, like hourglass sand 
and throwing it into the eyes of a boy. Johnny
or Danny or Kevin—he was not important. 
I was five and I knew he would cry.

I remember everything about it—
the sandbox in the corner of the room
at Cinderella Day Care; Ms. Lee