I'd like to see the tree as it once stood before me, childhood, the branch and leaf a single form of transport, ecstasy shaking my body I give to the leaves, the leaves return, my stare all interchange. But that was when I had a sky to name since I had a belief in constancy like everyone. The sky was my
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Another of the Happiness Poems
It’s not that we’re not dying.
Everything is dying.
We hear these rumors of the planet’s end
none of us will be around to watch.
It’s not that we’re not ugly.
Look at your feet, now that your shoes are off.
You could be a duck,
no, duck-billed platypus,
your feet distraction from your ugly nose.
It’s not that we’re not traveling,
But it’s not the broadback Mediterranean
carrying us against the world’s current.
It’s the imagined sea, imagined street,
the winged breakers, the waters we confuse with sky
willingly, so someone out there asks
are you flying or swimming?
That someone envies mortal happiness
like everyone on the other side, the dead
who stand in watch, who would give up their bliss,
their low tide eternity rippleless
for one day back here, alive again with us.
They know the sea and sky I’m walking on
or swimming, flying, they know it’s none of these,
this dancing-standing-still, this turning, turning,
these constant transformations of the wind
I can bring down by singing to myself,
the newborn mornings, these continuals—
Peter Cooley is the author of Night Bus to the Afterlife (Carnegie Mellon University Press, 2014), Divine Margins (Carnegie Mellon University Press, 2009), and A Place Made of Starlight (Carnegie Mellon University Press, 2003). He is a Senior Mellon Professor in the Humanities and director of creative writing at Tulane University and lives in New Orleans.