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About this poet

Federico García Lorca is one of the most important Spanish poets and dramatists of the twentieth century. He was born June 5, 1898, in Fuente Vaqueros, a small town a few miles from Granada. His father, Federico García Rodríguez, was a landowner, and his mother, Vicenta Lorca Romero, was a teacher.

Lorca published his first book, Impresiones y Viajes, in 1919. That same year, he traveled to Madrid, where he remained for the next decade. His first full-length play, El Maleficio de la mariposa, was produced there in 1920. The next year, he published Libro de poemas, a compilation of poems based on Spanish folklore.

In 1922, Lorca and the composer Manuel de Falla organized the first cante jondo, or “deep song,” festival in Granada; the deep song form permeated his poems of the early 1920s. During this period, Lorca also became part of a group of artists known as Generación del 27, which included Salvador Dalí and Luis Buñuel, who exposed the young poet to surrealism. In 1928, his poetry collection Romancero Gitano brought Lorca far-reaching fame; it was reprinted seven times during his lifetime.
 
In 1929 and 1930, Lorca traveled to New York City and Cuba. He returned to Spain in 1930 and, beginning in 1931, toured the country with the theater group La Barraca. He was arrested in Granada on August 16, 1936, near the beginning of the Spanish Civil War. He is believed to have been murdered by Fascist forces on August 18 or 19, 1936.


Selected Bibliography

Poetry
In Search of Duende (New Directions, 1998)
The Poetical Works of Federico García Lorca (Farrar, Straus and Giroux, 1988)
Impressions and Landscapes (University Press of America, 1987)
Poem of the Deep Song (City Light Books, 1987)
Songs (Duquesne University Press, 1976)
The Ballad of the Spanish Civil Guard (Janus Press, 1974)
Divan and Other Writings (Bonewhistle Press, 1974)
Tree of Song (Unicorn Press, 1971)
Selected Poems (New Directions, 1955)
The Gypsy Ballads (Indiana University Press, 1953)
The Poet in New York (W. W. Norton, 1940)
Lament for the Death of a Bullfighter and Other Poems (Oxford University Press, 1937)


Drama
Ill Tragedies: Blood Wedding, Yerma, Bernarda Alba (New Directions, 1947)
From Lorca’s Theatre: Five Plays of Federico García Lorca (C. Scribner’s Sons, 1941)

 

 

The Guitar

The weeping of the guitar
begins.
The goblets of dawn
are smashed.
The weeping of the guitar
begins.
Useless
to silence it.
Impossible 
to silence it.
It weeps monotonously
as water weeps
as the wind weeps
over snowfields.
Impossible
to silence it.
It weeps for distant 
things.
Hot southern sands
yearning for white camellias.
Weeps arrow without target
evening without morning
and the first dead bird
on the branch.
Oh, guitar!
Heart mortally wounded
by five swords.

From Selected Verse by Federico García Lorca. Translations copyright © 2002 by Cola Franzen. Reprinted by permission of Farrar, Straus & Giroux. All rights reserved.

From Selected Verse by Federico García Lorca. Translations copyright © 2002 by Cola Franzen. Reprinted by permission of Farrar, Straus & Giroux. All rights reserved.

Federico García Lorca

Federico García Lorca is one of the most important Spanish poets and dramatists of the twentieth century.

by this poet

poem
In the parched path 
I have seen the good lizard 
(one drop of crocodile) 
meditating. 
With his green frock-coat 
of an abbot of the devil, 
his correct bearing 
and his stiff collar, 
he has the sad air 
of an old professor. 
Those faded eyes 
of a broken artist, 
how they watch the afternoon 
in dismay!

Is
poem
   I want to sleep the sleep of the apples,
I want to get far away from the busyness of the cemeteries.
I want to sleep the sleep of that child
who longed to cut his heart open far out at sea.

   I don't want them to tell me again how the corpse keeps all its blood,
how the
poem
In the sky there is nobody asleep.  Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the 
            street corner
the unbelievable