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ABOUT THE AUTHOR
James Dickey
James Dickey
The author of numerous collections of poetry, James Dickey's work experimented with language and syntax...
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FURTHER READING
Poems About Sons
A Boy and His Dad
by Edgar Guest
Another Country
by Ryan Teitman
Come Up From the Fields Father
by Walt Whitman
Epigrams: On my First Son
by Ben Jonson
Fishing in Winter
by Ralph Burns
Goodnight Moon
by James Arthur
Like Him
by Aaron Smith
Odysseus to Telemachus
by Joseph Brodsky
On My First Son
by Ben Jonson
With Kit, Age 7, at the Beach
by William Stafford
Yesterday
by W. S. Merwin
Poems About Sports
A Boy Juggling a Soccer Ball
by Christopher Merrill
After Skate
by Carol Muske-Dukes
Autumn Begins in Martins Ferry, Ohio
by James Wright
Baseball and Writing
by Marianne Moore
Casey at the Bat
by Ernest Lawrence Thayer
Days of Me
by Stuart Dischell
Fishing on the Susquehanna in July
by Billy Collins
Night Baseball
by Michael Blumenthal
Séance at Tennis
by Dana Goodyear
Tackle Football
by Dan Chiasson
The First Olympic Ode [excerpt]
by Pindar
The Trouble Ball [excerpt]
by Martín Espada
To An Athlete Dying Young
by A. E. Housman
Train-Mates
by Witter Bynner
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The Bee

 
by James Dickey

                       to the football coaches of 
                             Clemson College, 1942

One dot
Grainily shifting   we at roadside and
The smallest wings coming   along the rail fence out
Of the woods   one dot   of all that green. It now
Becomes flesh-crawling   then the quite still
Of stinging. I must live faster for my terrified
Small son   it is on him. Has come. Clings.

Old wingback, come
To life. If your knee action is high
Enough, the fat may fall in time   God damn
You, Dickey, dig   this is your last time to cut
And run   but you must give it everything you have
Left, for screaming near your screaming child is the sheer
Murder of California traffic: some bee hangs driving

Your child
Blindly onto the highway. Get there however
Is still possible. Long live what I badly did
At Clemson   and all of my clumsiest drives
For the ball   all of my trying to turn
The corner downfield   and my spindling explosions
Through the five-hole over tackle. O backfield

Coach Shag Norton,
Tell me as you never yet have told me
To get the lead out scream   whatever will get
The slow-motion of middle age off me   I cannot
Make it this way   I will have to leave
My feet   they are gone   I have him where
He lives   and down we go singing with screams into

The dirt,
Son-screams of fathers   screams of dead coaches turning
To approval   and from between us the bee rises screaming
With flight   grainily shifting   riding the rail fence
Back into the woods   traffic blasting past us
Unchanged, nothing heard through the air-
conditioning glass   we lying at roadside full

Of the forearm prints
Of roadrocks   strawberries on our elbows as from
Scrimmage with the varsity   now we can get
Up   stand   turn away from the highway   look straight
Into trees. See, there is nothing coming out   no
Smallest wing   no shift of a flight-grain   nothing
Nothing. Let us go in, son, and listen

For some tobacco-
mumbling voice in the branches   to say “That’s
a little better,”   to our lives still hanging
By a hair. There is nothing to stop us   we can go
Deep   deeper   into elms, and listen to traffic die
Roaring, like a football crowd from which we have
Vanished. Dead coaches live in the air, son   live

In the ear
Like fathers, and urge   and urge. They want you better
Than you are. When needed, they rise and curse you   they scream
When something must be saved. Here, under this tree,
We can sit down. You can sleep, and I can try
To give back what I have earned by keeping us
Alive, and safe from bees: the smile of some kind

Of savior–
Of touchdowns, of fumbles, battles,
Lives. Let me sit here with you, son
As on the bench, while the first string takes back
Over, far away   and say with my silentest tongue, with the man-
creating bruises of my arms   with a live leaf a quick
Dead hand on my shoulder, “Coach Norton, I am your boy.”






From Poems 1957-1967 (Wesleyan University Press) by James Dickey. Copyright © 1967 by James Dickey. Used with permission of Wesleyan University Press.
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