poets.org

2

poem-a-day

poem-a-day
Sign up to receive an unpublished poem every day in your inbox.
today's poet
Rickey Laurentiis

Epithalamion

Recorded as part of the Poem-a-Day series, August 31, 2015
About this Poem 

“I wrote and read this poem on the occasion of the wedding of poets and dear friends, Nicole Sealey and John Murillo. It took the better part of a year, up until the morning of the wedding itself, for me to complete the poem. And it wasn’t, I think, out of confusion about what I wanted to say to and about two people whose union I believe in or, more generally, about love, which I want deeply to believe in. But it took so long to figure out (as is always the case, huh?) how to say it honestly. Here’s to trying. And here’s to black love mattering.”
Rickey Laurentiis

Epithalamion

Rickey Laurentiis

        For Nicole and John


     She drew a name full of winning flesh,
Victory, I mean, so that any Yes she has to say
     We might say is a Yes achieved happily all her own—

And he drew a name large as any god,
     Large as a wall in the center of the night, and as calm,
God in the most gracious, the tenderest way.

     To be, like them, in a tenderness now,
Chill as April; to feel ourselves, like themselves,
     In a communion of that sprung blood; and to trust

That in the dark, in even the wild, forbidding dark
     Which by fact must come, is no threat,
No sudden evidence to break and unheat—

     Then we’re complete. Flesh falls away. Gods do.
I will make a man out of you, says one
     To the other. I will make a woman. Isn’t that

What to say I choose you means, means I let go
     The name I held only for myself to step sharply into yours,
Into that bareness each for the other makes,

     Outside the old conceptions, the old laws,
No she, no he—but together you become a single self
     That spans the sense of the imagination,

Wiser than the oldest language, which is love,
     More patient than the deepest song.
 

Copyright © 2015 by Rickey Laurentiis. Originally published in Poem-a-Day on August 31, 2015, by the Academy of American Poets.

Copyright © 2015 by Rickey Laurentiis. Originally published in Poem-a-Day on August 31, 2015, by the Academy of American Poets.

poem

The Road Not Taken

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.
Robert Frost
1916
advertisement
Mark Strand (left) and Donald Justice, 1962
poem

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
Maya Angelou
1978
collection

Classic Books of American Poetry

This collection of books showcases the masterpieces of American poetry that have influenced—or promise to influence—generations of poets. Take a look.

Juan Felipe Herrera