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ABOUT THE AUTHOR
Meghan O'Rourke
Meghan O'Rourke
Born in New York in 1976, Meghan O'Rourke's first book of poetry, Halflife, was a finalist for Britain's Forward First Book Prize...
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FURTHER READING
Poems About Aging
Abandonment Under the Walnut Tree
by D. A. Powell
Affirmation
by Donald Hall
Age
by Robert Creeley
Age and Death
by Emma Lazarus
Almost Sixty
by Jim Moore
Beyond the Years
by Paul Laurence Dunbar
Blues
by Elizabeth Alexander
El Dorado
by Edgar Allan Poe
Fear of the Future
by John Koethe
First Gestures
by Julia Spicher Kasdorf
Fixed Interval
by Devin Johnston
Forgetfulness
by Billy Collins
Gerontion
by T.S. Eliot
In View of the Fact
by A. R. Ammons
Looking Back in My Eighty-First Year
by Maxine Kumin
Moonlight
by Sara Teasdale
My Lost Youth
by Henry Wadsworth Longfellow
Poem at Thirty
by Michael Ryan
Quiet
by Tony Hoagland
Refusing at Fifty-Two to Write Sonnets
by Thomas Lynch
Self-Portrait
by Adam Zagajewski
Since Nine—
by C. P. Cavafy
The Chicago Poem
by Jerome Rothenberg
The Edges of Time
by Kay Ryan
The Human Seasons
by John Keats
The Tower
by W. B. Yeats
The Widows of Gravesend
by L. S. Asekoff
The Young Man's Song
by W. B. Yeats
this kind of fire
by Charles Bukowski
To Chloe: Who for his sake wished herself younger
by William Cartwright
To Earthward
by Robert Frost
to my last period
by Lucille Clifton
To Think of Time
by Walt Whitman
Two Horses and a Dog
by James Galvin
When You are Old
by W. B. Yeats
Poems about Anonymity and Loneliness
79
by Joachim du Bellay
Don't Let Me Be Lonely [There was a time]
by Claudia Rankine
Alone
by Maya Angelou
Alone for a Week
by Jane Kenyon
Angel of Duluth [excerpt]
by Madelon Sprengnether
At a Window
by Carl Sandburg
Beyond the Pane
by Greg Hewett
Boston
by Aaron Smith
Danse Russe
by William Carlos Williams
Dear Lonely Animal,
by Oni Buchanan
Donal Óg
by Isabella Augusta, Lady Gregory
Drawing from Life
by Reginald Shepherd
Eating Alone
by Li-Young Lee
Found Poem
by Howard Nemerov
Gospel
by Philip Levine
How I Am
by Jason Shinder
How the mind works still to be sure
by Jennifer Denrow
How to See Deer
by Philip Booth
I Am Much Too Alone in This World, Yet Not Alone
by Rainer Maria Rilke
I Am!
by John Clare
I'm Nobody! Who are you? (260)
by Emily Dickinson
Isolation: To Marguerite
by Matthew Arnold
Loneliness
by Trumbull Stickney
Mnemosyne
by Trumbull Stickney
Museum
by Glyn Maxwell
Ode to Solitude
by Alexander Pope
On the Terrace
by Landis Everson
R.I.P., My Love
by Tory Dent
Sex
by Michael Ryan
Skunk Hour
by Robert Lowell
Song of Myself
by John Canaday
Sonnet V
by Mahmoud Darwish
The Creation
by James Weldon Johnson
The Daffodils
by William Wordsworth
The Hermit Goes Up Attic
by Maxine Kumin
The Living Beauty
by W. B. Yeats
The Love Song of J. Alfred Prufrock
by T. S. Eliot
The Sleepers
by Walt Whitman
The Suicide
by Edna St. Vincent Millay
the suicide kid
by Charles Bukowski
This Is a Photograph of Me
by Margaret Atwood
Those Winter Sundays
by Robert Hayden
Toro
by Sarah Gambito
WHERE?
by Kenneth Patchen
Whoever You Are Holding Me Now in Hand
by Walt Whitman
Why is the Color of Snow?
by Brenda Shaughnessy
Your Catfish Friend
by Richard Brautigan
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Demeter in Paris

 
by Meghan O'Rourke

You can only miss someone when they are present to you.

The Isle of the Dead is both dark and light.

Henry Miller told Anaïs Nin that the only real death is being dead while alive.

The absent will only be absent when they are forgotten.

Until then, absence is a lie, an oxymoron.

Therefore it is entirely unclear what absence means, or consists of.

Sometimes I want to be famous once more, and then I think about the paparazzi.

I value my solitude. But I fear I am dead while alive.

Forgetting is a kind of blessing: It would [         ].

To avoid living, worry about all you’ve forgotten.

Then worry about what you will forget.

I have lived long enough to want to do it over.

When I miss my daughter, it’s as a kind of idea. Then she comes to me unexpectedly:
           in her corduroy red parka, hair sticking out,
           smiling at the geese, eating her shoelaces,
           pointing, crying, More!

When I saw the movie, in the dark center of winter, I thought:

The son wasn’t trying to say goodbye to his dying father. He was trying to say forever.

Alone so much, I think about the people whose stories I learn in books.

Often I think of the grandmother of one of Picasso’s lovers. Her granddaughter

did not understand why she went so often to the graves of her children and husband.

Just wait, her grandmother said. You will see.

No, what she said is there comes a time when, past your moment,

you live for external things: the sky, a piece of grass, a smell.

A painting, I would say. A painting where the colors are                         everything.
About this poem:

"'Demeter in Paris' began, as many poems do, while I was avoiding writing something else. (In this case, it was an essay on the idea of '40' for my British publisher.) Some of the lines started as a meditation on being in the middle of one's life, but then something else took over. I began to think about an archetypal mother, who is at the mythical heart of our seasons, our ideas about how time passes, who also spends a lot of time alone. What does that solitude do to her sense of self? I wanted us to see her as more than a mother, or other than one. And lately I have been interested in poems that reflect a mind thinking and experiencing the world through representation, as this one does."

—Meghan O'Rourke






Copyright © 2013 by Meghan O'Rourke. Used with permission of the author. This poem appeared in Poem-A-Day on July 30, 2013. Browse the Poem-A-Day archive.
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