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ABOUT THE AUTHOR
Juan Felipe Herrera
Juan Felipe Herrera
Born in Fowler, California, in 1948, Herrera is director of the Art and Barbara Culver Center for the Arts, a multimedia space in downtown Riverside, California. He was elected an Academy Chancellor in 2011....
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You & I Belong in This Kitchen

 
by Juan Felipe Herrera

longtime hermano Bob          tells me
one of the monks in brown directs us to the deep sink
made of two sinks the hose & the silver table where all 
the spoons & metal tongs are clean
wait at the entrance for directions the monk gave me
but he is in there & points me to another sink
made of two sinks & a silver table where all 
the spoons & metal tongs are clean
scrub off the rice burned at the bottom 
there it is clinging to the sides of the steel
outside working the hole in the earth
three monks in brown stir the blackish pots boiling
four mouths of mud cakes for the new lunar year
the dragon the people the monastery the mountains
one monk stands staring into the nothing
no thoughts around him 
the other monk descends through the scaly fog two
children angle an exploded tree limb back & forth
so the sparks play with them      to the left 
the meditation hall is curved & faces Escondido 
down below where my father drove his army truck
& pulled our trailer to a stop on Lincoln Road in ‘54
I watered spidered corn & noticed the deportations
little friends gone the land left to ice alone
lunch is served we go to the line the spoons
and the speckled tongs await by the brown rice
white rice eggplant kim chee & a grey shade pot
pour the seaweed soup we go with our tray & sit 
the mud cakes are ribboned in red & gold & green 
there is a way to do this 
it requires listening & seeing &
silence           silence the bell rings
longtime hermano Bob & I      at the parking lot
we leave brown cloth                           brown cloth
naked spoons      naked pots
steam         rises from the sink &      the view
the view with no one           in front or     in back









Copyright © 2012 by Juan Felipe Herrera. Used with permission of the author.
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