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FURTHER READING
Poems About Childhood
"Out, Out—"
by Robert Frost
Don't Let Me Be Lonely [There was a time]
by Claudia Rankine
A Boy Juggling a Soccer Ball
by Christopher Merrill
A child said, What is the grass?
by Walt Whitman
Another Country
by Ryan Teitman
anyone lived in a pretty how town
by E. E. Cummings
Babylon
by Robert Graves
Because I cannot remember my first kiss
by Roger Bonair-Agard
Birches
by Robert Frost
Block City
by Robert Louis Stevenson
Blur
by Andrew Hudgins
Childhood is the Kingdom Where Nobody Dies
by Edna St. Vincent Millay
deer & salt block
by Joshua Marie Wilkinson
Early Memory
by January Gill O'Neil
Fern Hill
by Dylan Thomas
Fifteen, Maybe Sixteen Things to Worry About
by Judith Viorst
For Some Slight I Can't Quite Recall
by Ross Gay
From the Lives of My Friends
by Michael Dickman
Giraffes
by Kimiko Hahn
Going Down Hill on a Bicycle
by Henry Charles Beeching
In the Waiting Room
by Elizabeth Bishop
Jabberwocky
by Lewis Carroll
Lullaby in Blue
by Betsy Sholl
My Aunts
by Meghan O'Rourke
My Bright Aluminum Tumblers
by Michael Ryan
My Childhood
by Matthew Zapruder
Ode on Intimations of Immortality from Recollections of Early Childhood
by William Wordsworth
Pirate Story
by Robert Louis Stevenson
Playgrounds
by Laurence Alma-Tadema
Pledge
by Elizabeth Powell
Poem for You
by David Shapiro
Recuerdo
by Edna St. Vincent Millay
Solar system bedsheets
by Sarah Vap
The Children's Hour
by Henry Wadsworth Longfellow
The Gaffe
by C. K. Williams
The Lamb
by William Blake
The Portrait
by Stanley Kunitz
The Retreat
by Henry Vaughan
The Swing
by Robert Louis Stevenson
The Tower
by W. B. Yeats
They Call This
by C. K. Williams
To My Best Friend's Big Sister
by Ross Gay
Untitled [You mustn't swim till you're six weeks old]
by Rudyard Kipling
We Are Seven
by William Wordsworth
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Untitled [The child thought it strange]

 
by Richard Meier

The child thought it strange to define words with other words. What did you draw? The man thought he was looking at a purple oval with a touch of yellow. I drew that, the child answered ecstatically, feeling the paper with his finger. The frost is a little behind the shadows. A slash of tree trunk and the L of the roof. We hate a work of art that finds designs inside us, better to lie in the fog of melting snow and see the lake that remains and the person who has left, the ones we would rather not see but do in this reduction. What I loved about the little box full of hair elastics and bobby pins was my own wonder at the little squares of wood, 6 to a side, each of which had its own cross-section of branch, as if it had found something that could be wholly repeated when dispersed. The child, between the toilet and the window, liked the way it opened and spilled the many-colored elastics. An after-image of the monks spot-welding an iron fence in orange robes at night while we drove past fell apart in the nest of elastics, blue and orange among them. The ruins of December are full of people. Feeling is lost. The melted lake, re-frozen, clear as a picture plane in the public park, drags in its current a bit of duckweed torn at the root, bright-green, but it stops when the skater does and reveals its stasis. Further out, a void that can be seen clearly through this fiction starts the world in orbit around involuted space. Participation is voluntary as the wind pushes a glove and a cry faster through the deeps of sky and cloud than the ear and hand that released them. Now that the ocean is gone I am sail and ship, but the embargo on motion means he can only be thrown away, the hour you were queen. Go to work we tell the child. Go to work, go to work, go to work.










Copyright 2011 by Richard Meier. Used with permission of the author.
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