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FURTHER READING
Poems by Joanna Fuhrman
Architecture Moraine
Song for Future Books
Poems About Movies
Un Chien Andalou (An Andalusian Dog)
by A. Van Jordan
A Score for Tourist Movies
by Mary Austin Speaker
After the Movie
by Marie Howe
An American in Hollywood
by Frank Bidart
Au Hasard Balthazar
by Stacy Szymaszek
Ave Maria
by Frank O'Hara
Brad Pitt
by Aaron Smith
Chaplinesque
by Hart Crane
Daffy Duck In Hollywood
by John Ashbery
French Movie
by David Lehman
Heroic Simile
by Robert Hass
Homage to Sharon Stone
by Lynn Emanuel
Old Boy
by A. Van Jordan
On the Waterfront
by B. H. Fairchild
One Shies at the Prospect of Raising Yet Another Defense of Cannibalism
by Josh Bell
To the Film Industry in Crisis
by Frank O'Hara
When There Were Ghosts
by Alberto Ríos
Related Prose
A Brief Guide to Language Poetry
Poetic Form: Haiku
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Trigger Guard

 
by Joanna Fuhrman

Everyone I ever loved is standing 
on a platform with a gun. 

In the cartoon version, a flag pops 
with the word 'bang.' 

In the soap opera version, 
my face turns the color of merlot. 

In the haiku version, 
metal gleams in the narrow shadow.

In the Republican version, 
two guns wrap themselves in a single flag.

In the Langpo version.
idolatry yips yaps paradigm the. 

In my diary version,
I wonder why everyone hates me.

In the indie film version,  
a gun flickers over a mumbled tune.

In the Chekhov version, 
(well, you already know.) 

In the 10 o'clock news version,
the crisis in violence is rising.

In the action film version,
a shot means profits are rolling.

In the catalog version,
the smoke's hue is a burnished moss. 

In the teen movie version,
a nerdy gun removes her glasses.

In the lucid dream version,
I kiss a muzzle and it blossoms.

In the music video version,
a gun turns into a mouth.









Copyright © 2010 by Joanna Fuhrman. Used with permission of the author.
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