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ABOUT THE AUTHOR
Michael Blumenthal
Michael Blumenthal
Born in 1949, Michael Blumenthal is the author of several collections of poetry, most recently And (BOA Editions, 2009), and Dusty Angel (1999), which received the Isabella Stewart Gardner Prize...
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FURTHER READING
Poems About Birth and Parenting
A Woman Waits for Me
by Walt Whitman
Acrobat
by Elise Paschen
After Making Love We Hear Footsteps
by Galway Kinnell
Before the Birth of One of Her Children
by Anne Bradstreet
Central Park, Carousel
by Meena Alexander
Curriculum Vitae
by Lisel Mueller
Daughter-Mother-Maya-Seeta
by Reetika Vazirani
Gods
by Michael Redhill
Goodnight Moon
by James Arthur
Honey
by Arielle Greenberg
Infant Joy
by William Blake
Lost in thought, the baby
by Rebecca Wolff
Morning Song
by Sylvia Plath
Motherhood, 1951
by Ai
Shoulders
by Naomi Shihab Nye
The Mother
by Gwendolyn Brooks
The Sick Child
by Robert Louis Stevenson
To My Mother Waiting on 10/01/54
by Teresa Carson
Tract
by William Carlos Williams
You Begin
by Margaret Atwood
Poems about Poetry
Epistles, Book II, Ars Poetica
by Horace
Poetry as Insurgent Art [I am signaling you through the flames]
by Lawrence Ferlinghetti
A Book Of Music
by Jack Spicer
A True Poem
by Lloyd Schwartz
Adam's Curse
by W. B. Yeats, read by James Wright
Always on the Train
by Ruth Stone
Ars Poetica
by Archibald MacLeish
Ars Poetica (cocoons)
by Dana Levin
Arthur's Anthology of English Poetry
by Laurence Lerner
Because You Asked about the Line Between Prose and Poetry
by Howard Nemerov
Blue or Green
by James Galvin
Briefly It Enters, and Briefly Speaks
by Jane Kenyon
Broadway
by Mark Doty
Diving into the Wreck
by Adrienne Rich, read by Anne Waldman
Eating Poetry
by Mark Strand
Endnote
by Hayden Carruth
Envoi
by William Meredith
Ground Swell
by Mark Jarman
How to Read a Poem: Beginner's Manual
by Pamela Spiro Wagner
If It All Went Up in Smoke
by George Oppen
Languages
by Carl Sandburg
O Black and Unknown Bards
by James Weldon Johnson
Poet's Work
by Lorine Niedecker
Poetry
by Marianne Moore
Poetry Is a Destructive Force
by Wallace Stevens
Prefix: Finding the measure
by Robert Kelly
Speech Alone
by Jean Follain
Take the I Out
by Sharon Olds
Teaching the Ape to Write Poems
by James Tate
The Art of Poetry [excerpt]
by Nicolas Boileau-Despréaux
The Bear
by Galway Kinnell
The Composition of the Text
by Adriano Spatola
The Indications [excerpt]
by Walt Whitman
The Poem as Mask
by Muriel Rukeyser
The Poems I Have Not Written
by John Brehm
The Uses of Poetry
by William Carlos Williams
This Bridge, Like Poetry, is Vertigo
by Marie Ponsot
What He Thought
by Heather McHugh
Why I Am Not a Painter
by Frank O'Hara
Workshop
by Billy Collins
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The Difference between a Child and a Poem

 
by Michael Blumenthal

If you are terrified of your own death,
and want to escape from it,
you may want to write a poem,
for the poem might carry your name
into eternity, the poem
may become immortal, beyond flesh
and fashion, it may be read
in a thousand years by someone
as frightened of death as you are,
in a dark field, at night,
when he has failed once again at love
and there is no illusion with which to escape
the inward pull of his own flesh
against the narrowing margins of the spirit.

But if you have accepted your own death,
if you have pinched daily the corroborating flesh,
and have passed the infinite gravestones
bearing your name, if you know for certain
that the day will one day come
when you will gaze into the mirror in search of your face
and find only a silence, then
you may want to make a child, you may want to push
the small oracles of flesh forward
into some merely finite but lengthening story,
you may want to toss your seed into the wind
like a marigold, or a passion fruit, and watch
as a fresh flower grows in your place, as your face
inches onto another face, and your eyes
slip down over your cheeks onto the forehead
of your silenced, speakable future.

And, then, when you are done with all that,
you may want to write a poem.






From The Wages of Goodness, published by University of Missouri Press. Copyright © 1992 by Michael Blumenthal. Used by permission of the author.
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