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Sarabande Books, 2009
The title of Karyna McGlynn's second book of poems sets the reader
up for the criminal impulses and the trips to the recent past that permeate
the book. McGlynn's poems are scenes of violence and crime,
each presented through a different perspective or voice. Although not
generally graphic, they capture the kind of fear a teenager might feel
when sneaking out of the house has spiraled into something much
more dangerous. Many are written in two or three columns that can
be read vertically, or, for a more abstract experience, horizontally. Thus,
McGlynn captures different layers of observation: the narrative line and
the staccato of reaction. These unnerving poems leave room for humor
and a more gentle sense of nostalgia, but they also display how crime
and violence can fracture self and time. In her foreword to the book,
Lynn Emanuel writes, "no matter which life, body, or landscape one
lands in, all exist on a shared bedrock of violence and suffering, albeit
one presided over by a glittering imagination."
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