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ABOUT THE AUTHOR
James Weldon Johnson
James Weldon Johnson
Born in 1871 in Jacksonville, Florida, James Weldon Johnson was a national organizer for the NAACP and an author of poetry and nonfiction...
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FURTHER READING
Explore Black Heritage
A Brief Guide to Jazz Poetry
A Brief Guide to Negritude
A Brief Guide to Slam Poetry
A Brief Guide to the Black Arts Movement
A Brief Guide to the Harlem Renaissance
Double-Bind: Three Women of the Harlem Renaissance
by Anthony Walton
Great Anthology: The Vintage Book of African American Poetry
Groundbreaking Book: A Ballad of Remembrance by Robert Hayden (1962)
Groundbreaking Book: The Bean Eaters by Gwendolyn Brooks (1960)
Groundbreaking Book: The Weary Blues by Langston Hughes (1926)
Masters and Master Works: On Black Male Poetics
by Afaa M. Weaver
Slim Greer in Hell
by Sterling A. Brown
The Bond of Living Things: Poems of Ancestry
by Toi Derricotte
Theme for English B
by Langston Hughes
Walking Tour: Langston Hughes’s Harlem of 1926
Poems about Poetry
Epistles, Book II, Ars Poetica
by Horace
Poetry as Insurgent Art [I am signaling you through the flames]
by Lawrence Ferlinghetti
A Book Of Music
by Jack Spicer
A True Poem
by Lloyd Schwartz
Adam's Curse
by W. B. Yeats, read by James Wright
Always on the Train
by Ruth Stone
Ars Poetica
by Archibald MacLeish
Ars Poetica (cocoons)
by Dana Levin
Arthur's Anthology of English Poetry
by Laurence Lerner
Because You Asked about the Line Between Prose and Poetry
by Howard Nemerov
Blue or Green
by James Galvin
Briefly It Enters, and Briefly Speaks
by Jane Kenyon
Broadway
by Mark Doty
Diving into the Wreck
by Adrienne Rich, read by Anne Waldman
Eating Poetry
by Mark Strand
Endnote
by Hayden Carruth
Envoi
by William Meredith
Ground Swell
by Mark Jarman
How to Read a Poem: Beginner's Manual
by Pamela Spiro Wagner
If It All Went Up in Smoke
by George Oppen
Languages
by Carl Sandburg
Poet's Work
by Lorine Niedecker
Poetry
by Marianne Moore
Poetry Is a Destructive Force
by Wallace Stevens
Prefix: Finding the measure
by Robert Kelly
Speech Alone
by Jean Follain
Take the I Out
by Sharon Olds
Teaching the Ape to Write Poems
by James Tate
The Art of Poetry [excerpt]
by Nicolas Boileau-Despréaux
The Bear
by Galway Kinnell
The Composition of the Text
by Adriano Spatola
The Difference between a Child and a Poem
by Michael Blumenthal
The Indications [excerpt]
by Walt Whitman
The Poem as Mask
by Muriel Rukeyser
The Poems I Have Not Written
by John Brehm
The Uses of Poetry
by William Carlos Williams
This Bridge, Like Poetry, is Vertigo
by Marie Ponsot
What He Thought
by Heather McHugh
Why I Am Not a Painter
by Frank O'Hara
Workshop
by Billy Collins
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O Black and Unknown Bards

 
by James Weldon Johnson

O black and unknown bards of long ago,
How came your lips to touch the sacred fire?
How, in your darkness, did you come to know
The power and beauty of the minstrel's lyre?
Who first from midst his bonds lifted his eyes?
Who first from out the still watch, lone and long,
Feeling the ancient faith of prophets rise
Within his dark-kept soul, burst into song? 
  
Heart of what slave poured out such melody
As "Steal away to Jesus"? On its strains
His spirit must have nightly floated free,
Though still about his hands he felt his chains.
Who heard great "Jordan roll"? Whose starward eye
Saw chariot "swing low"? And who was he
That breathed that comforting, melodic sigh,
"Nobody knows de trouble I see"? 
  
What merely living clod, what captive thing,
Could up toward God through all its darkness grope,
And find within its deadened heart to sing
These songs of sorrow, love and faith, and hope?
How did it catch that subtle undertone,
That note in music heard not with the ears?
How sound the elusive reed so seldom blown,
Which stirs the soul or melts the heart to tears. 
  
Not that great German master in his dream
Of harmonies that thundered amongst the stars
At the creation, ever heard a theme
Nobler than "Go down, Moses." Mark its bars
How like a mighty trumpet-call they stir
The blood. Such are the notes that men have sung
Going to valorous deeds; such tones there were
That helped make history when Time was young. 
  
There is a wide, wide wonder in it all,
That from degraded rest and servile toil
The fiery spirit of the seer should call
These simple children of the sun and soil.
O black slave singers, gone, forgot, unfamed,
You—you alone, of all the long, long line
Of those who've sung untaught, unknown, unnamed,
Have stretched out upward, seeking the divine. 
  
You sang not deeds of heroes or of kings;
No chant of bloody war, no exulting pean
Of arms-won triumphs; but your humble strings
You touched in chord with music empyrean.
You sang far better than you knew; the songs
That for your listeners' hungry hearts sufficed
Still live,—but more than this to you belongs:
You sang a race from wood and stone to Christ. 






From The Book of American Negro Poetry, edited by James Weldon Johnson, published in 1922.
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