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ABOUT THE AUTHOR
Galway Kinnell
Galway Kinnell
Born in Providence, Rhode Island, in 1927, Galway Kinnell is the author of numerous collections of poetry, including Selected Poems, for which he received both the Pulitzer Prize and the National Book Award...
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FURTHER READING
Poems About Animals and Pets
27,000 Miles
by Albert Goldbarth
At the Zoo
by William Makepeace Thackeray
Bats
by Paisley Rekdal
Darwin's Finches
by Deborah Digges
Evening Hawk
by Robert Penn Warren
from Jubilate Agno, Fragment B, lines 695-768
by Christopher Smart
Leda and the Swan
by W. B. Yeats
Mole
by Wyatt Prunty
Mother Doesn't Want a Dog
by Judith Viorst
Nelson, My Dog
by Gary Soto
Ode on the death of a favorite cat
by Thomas Gray
Skunk Hour
by Robert Lowell
The Armadillo
by Elizabeth Bishop
The Crocodile
by Lewis Carroll
The Eagle
by Lord Alfred Tennyson
The Kitten and The Falling Leaves
by William Wordsworth
The Moose
by Elizabeth Bishop
The Paper Nautilus
by Marianne Moore
The Return
by Frances Richey
The Tyger
by William Blake
Thing
by Rae Armantrout
Turn of a Year
by Joan Houlihan
More Like This
All She Wrote
by Harryette Mullen
Dawn
by James Laughlin
Ground Swell
by Mark Jarman
In the old days a poet once said
by Ko Un
Language
by W. S. Merwin
Poetry
by Marianne Moore
Render, Render
by Thomas Lux
so you want to be a writer?
by Charles Bukowski
The Language of Love
by Rodney Jones
various quotes from On Poetry and Craft: Selected Prose of Theodore Roethke
by Theodore Roethke
What He Thought
by Heather McHugh
Related Prose
Ars Poetica: Poems about Poetry
Ars Poetica
Epistles, Book II, Ars Poetica
by Horace
A Book Of Music
by Jack Spicer
A True Poem
by Lloyd Schwartz
All Their Stanzas Look Alike
by Thomas Sayers Ellis
Always on the Train
by Ruth Stone
And It Came to Pass
by C. D. Wright
Ars Poetica
by Archibald MacLeish
Ars Poetica
by Eleanor Wilner
Ars Poetica (cocoons)
by Dana Levin
Art Class
by James Galvin
Arthur's Anthology of English Poetry
by Laurence Lerner
Because You Asked about the Line Between Prose and Poetry
by Howard Nemerov
Briefly It Enters, and Briefly Speaks
by Jane Kenyon
Broadway
by Mark Doty
Diving into the Wreck
by Adrienne Rich
Endnote
by Hayden Carruth
Envoi
by William Meredith
Ground Swell
by Mark Jarman
Instructions to Be Left Behind
by Marvin Bell
Introduction to Poetry
by Billy Collins
O Black and Unknown Bards
by James Weldon Johnson
On the Subject of Poetry
by W. S. Merwin
Poet's Work
by Lorine Niedecker
Poetry
by Marianne Moore
Prefix: Finding the measure
by Robert Kelly
Some Part of the Lyric
by Gregory Orr
Speech Alone
by Jean Follain
Strawberry on the Drawbridge
by Matthea Harvey
Take the I Out
by Sharon Olds
The Allure of Forms
by Coral Bracho
The Bargain
by Cyrus Cassells
The Poem as Mask
by Muriel Rukeyser
The Poems I Have Not Written
by John Brehm
The Snow and the Plum — II
by Lu Mei-P'o
The Uses of Poetry
by William Carlos Williams
What He Thought
by Heather McHugh
Workshop
by Billy Collins
Adopt a Poet | Add to Notebook | E-mail to Friend | Print
The Bear  
by Galway Kinnell

1

In late winter
I sometimes glimpse bits of steam
coming up from
some fault in the old snow
and bend close and see it is lung-colored
and put down my nose
and know
the chilly, enduring odor of bear.


2

I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears.

And when it has vanished
I move out on the bear tracks,
roaming in circles
until I come to the first, tentative, dark
splash on the earth.

And I set out
running, following the splashes
of blood wandering over the world.
At the cut, gashed resting places
I stop and rest,
at the crawl-marks
where he lay out on his belly
to overpass some stretch of bauchy ice
I lie out
dragging myself forward with bear-knives in my fists.


3

On the third day I begin to starve,
at nightfall I bend down as I knew I would
at a turd sopped in blood,
and hesitate, and pick it up,
and thrust it in my mouth, and gnash it down,
and rise
and go on running.


4

On the seventh day,
living by now on bear blood alone,
I can see his upturned carcass far out ahead, a scraggled,
steamy hulk,
the heavy fur riffling in the wind.

I come up to him
and stare at the narrow-spaced, petty eyes,
the dismayed
face laid back on the shoulder, the nostrils
flared, catching
perhaps the first taint of me as he
died.

I hack
a ravine in his thigh, and eat and drink,
and tear him down his whole length
and open him and climb in
and close him up after me, against the wind,
and sleep.


5

And dream
of lumbering flatfooted
over the tundra,
stabbed twice from within,
splattering a trail behind me,
splattering it out no matter which way I lurch,
no matter which parabola of bear-transcendence,
which dance of solitude I attempt,
which gravity-clutched leap,
which trudge, which groan.


6

Until one day I totter and fall—
fall on this
stomach that has tried so hard to keep up,
to digest the blood as it leaked in,
to break up
and digest the bone itself: and now the breeze
blows over me, blows off
the hideous belches of ill-digested bear blood
and rotted stomach
and the ordinary, wretched odor of bear,

blows across
my sore, lolled tongue a song
or screech, until I think I must rise up
and dance. And I lie still.


7

I awaken I think. Marshlights
reappear, geese
come trailing again up the flyway.
In her ravine under old snow the dam-bear
lies, licking
lumps of smeared fur
and drizzly eyes into shapes
with her tongue. And one
hairy-soled trudge stuck out before me,
the next groaned out,
the next,
the next,
the rest of my days I spend
wandering: wondering
what, anyway,
was that sticky infusion, that rank flavor of blood, that poetry, by which I lived?



From A New Selected Poems by Galway Kinnell, published by Houghton Mifflin. © 2000 by Galway Kinnell. Used with permission. All rights reserved.
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