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ABOUT THE AUTHOR
Deborah Digges
Deborah Digges
Born in 1950, Deborah Digges was the author of several collections of poetry and two memoirs...
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FURTHER READING
Poems About the Natural World
And the Intrepid Anthurium
by Pura López-Colomé
Atavism
by Elinor Wylie
Belong To
by David Baker
Butterfly Catcher
by Tina Cane
Crossings
by Ravi Shankar
Elders
by Louise Bogan
Farewell
by John Clare
February: The Boy Breughel
by Norman Dubie
Field
by Erin Belieu
Fish Fucking
by Michael Blumenthal
For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT
by dg nanouk okpik
Four Poems for Robin
by Gary Snyder
God's World
by Edna St. Vincent Millay
In a Blue Wood
by Richard Levine
In Michael Robins’s class minus one
by Bob Hicok
Kentucky River Junction
by Wendell Berry
maggie and milly and molly and may
by E. E. Cummings
Naskeag
by Alfred Corn
October (section I)
by Louise Glück
Ode on Intimations of Immortality from Recollections of Early Childhood
by William Wordsworth
Of Many Worlds in This World
by Margaret Cavendish
Pastoral
by Jennifer Chang
Pied Beauty
by Gerard Manley Hopkins
Poppies on the Wheat
by Helen Hunt Jackson
Russian Birch
by Nathaniel Bellows
Song of Nature
by Ralph Waldo Emerson
Spontaneous Me
by Walt Whitman
The Darkling Thrush
by Thomas Hardy
The Gladness of Nature
by William Cullen Bryant
The Noble Nature
by Ben Jonson
The River-Merchant's Wife: A Letter
by Ezra Pound
The Wind and the Moon
by George Macdonald
Trees
by Joyce Kilmer
Two Butterflies went out at Noon— (533)
by Emily Dickinson
What's the railroad to me?
by Henry David Thoreau
Winter Morning
by William Jay Smith
Work Without Hope
by Samuel Taylor Coleridge
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The Leaves

 
by Deborah Digges

I can bless a death this human, this leaf 
the size of my hand. From the life-line spreads

a sapped, distended jaundice 
toward the edges, still green.

I've seen the sick starve out beyond 
the grip of their disease.

They sleep for days, their stomachs gone, 
the bones in their hands

seeming to rise to the hour 
that will receive them.

Sometimes on their last evening, they sit up 
and ask for food,

their faces bloodless, almost golden, 
they inquire about the future.

                    *

One August I drove the back roads, 
the dust wheeling behind me.

I wandered through the ruins of sharecrop farms 
and saw the weeds in the sun frames

opening the floorboards. 
Once behind what must have been an outhouse

the way wild yellow roses bunched and climbed 
the sweaty walls, I found a pile of letters,

fire-scarred, urinous. 
All afternoon the sun brought the field to me.

The insects hushed as I approached. 
I read how the world had failed who ever lived behind

the page, behind the misquoted Bible verses, 
that awkward backhand trying to explain deliverance.

                    *

The morning Keats left Guys Hospital's cadaver rooms 
for the last time, he said he was afraid.

This was the future, this corning down a stairway 
under the elms' summer green,

passing the barber shops along the avenue that still 
performed the surgeries, still dumped

blood caught in sand from porcelain washtubs 
into the road-side sewer. From those windows,

from a distance, he could have been anyone 
taking in the trees, mistaking the muse for this new

warmth around his heart—the first symptom 
of his illness—that so swelled the look of things,

it made leaves into poems, though he'd write later 
he had not grieved, not loved enough to claim them.






From Vesper Sparrows by Deborah Digges (Antheneum, 1986). Copyright © 1986 by Deborah Digges. Reprinted with permission of the author. All rights reserved.
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