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ABOUT THE AUTHOR
Federico García Lorca
Federico García Lorca
Federico García Lorca is possibly the most important Spanish poet and dramatist of...
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FURTHER READING
Poems about Musical Instruments
A Musical Instrument
by Elizabeth Barrett Browning
Hymn to God, My God, in My Sickness
by John Donne
Latin & Soul
by Victor Hernández Cruz
Piano
by D. H. Lawrence
Sonnet V
by Mahmoud Darwish
Poems about Music
A Book Of Music
by Jack Spicer
Alexander's Feast; or, the Power of Music
by John Dryden
Beagle or Something
by April Bernard
Fiddler Jones
by Edgar Lee Masters
Go Greyhound
by Bob Hicok
Here and Now
by Stephen Dunn
Honky Tonk in Cleveland, Ohio
by Carl Sandburg
Hymn to God, My God, in My Sickness
by John Donne
Hymn to the Night
by Henry Wadsworth Longfellow
Interlude: Still Still
by Robin Behn
Latin & Soul
by Victor Hernández Cruz
Little Fugue
by Marianne Boruch
Lost Fugue for Chet
by Lynda Hull
Lullaby in Blue
by Betsy Sholl
On 52nd Street
by Philip Levine
Passing Through Albuquerque
by John Balaban
Record
by Katrina Vandenberg
Street Music
by Robert Pinsky
The Day Duke Raised: May 24th, 1974
by Quincy Troupe
The Last Evening
by Steven Kronen
The Owl and the Pussy-Cat
by Edward Lear
The Supremes
by Mark Jarman
The Waltz We Were Born For
by Walt McDonald
The Weary Blues
by Langston Hughes
Two Pages, 122 Words on Music and Dance
by John Cage, read by Susan Howe
Untitled
by David Meltzer
Water Music
by Robert Creeley
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The Guitar  
by Federico García Lorca
translated by Cola Franzen

The weeping of the guitar
begins.
The goblets of dawn
are smashed.
The weeping of the guitar
begins.
Useless
to silence it.
Impossible 
to silence it.
It weeps monotonously
as water weeps
as the wind weeps
over snowfields.
Impossible
to silence it.
It weeps for distant 
things.
Hot southern sands
yearning for white camellias.
Weeps arrow without target
evening without morning
and the first dead bird
on the branch.
Oh, guitar!
Heart mortally wounded
by five swords.



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From Selected Verse by Federico García Lorca. Translations copyright © 2002 by Cola Franzen. Reprinted by permission of Farrar, Straus & Giroux. All rights reserved.

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