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FURTHER READING
Related Prose
Ekphrasis: Poetry Confronting Art
Other Ekprastic Poems
Purgatorio, Canto X
by Dante Alighieri
The Iliad, Book XVIII, ["The Shield of Achilles"]
by Homer
Archaic Torso of Apollo
by Rainer Maria Rilke
Die Muhle Brennt--Richard
by Richard Matthews
Joseph Cornell, with Box
by Michael Dumanis
Landscape With The Fall of Icarus
by William Carlos Williams
Messieur Degas Teaches Art and Science at Durfy Intermediate School, Detroit 1942
by Philip Levine
Museum Guard
by David Hernandez
Ode on a Grecian Urn
by John Keats
On Seeing the Elgin Marbles
by John Keats
On the Medusa of Leonardo Da Vinci in the Florentine Gallery
by Percy Bysshe Shelley
Photograph of People Dancing in France
by Leslie Adrienne Miller
Seeing All the Vermeers
by Alfred Corn
Stealing The Scream
by Monica Youn
The Family Photograph
by Vona Groarke
The Mad Potter
by John Hollander
The Painting
by John Balaban
The Picture of Little T. C. in a Prospect of Flowers
by Andrew Marvell
The Shield of Achilles
by W. H. Auden
To Haydon with a Sonnet Written on Seeing the Elgin Marbles
by John Keats
War Photograph
by Kate Daniels
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Why knowing is (& Matisse's Woman with a Hat)  
by Martha Ronk

Why knowing is a quality out of fashion and no one can decide to

but slips into it or ends up with a painting one has never
seen that quality of light before even before having seen it
in between pages of another book and not remembering who knows
or recognizing the questionable quality of light on her face
as she sits for a portrait and isn't allowed to move an inch
you recognize the red silk flower on her hat
and can almost place where you have seen that gray descending
through the light reversing foreground and background
as the directions escape one as the way you have to
live with anyone as she gets up finally from her chair
having written the whole of it in her head as the question
ignored for the hundredth time as a quality of knowing is
oddly resuscitated from a decade prior to this.



From Why/Why Not by Martha Ronk. Copyright © 2003 by the Regents of the University of California. Reprinted by permission of the University of California Press. All rights reserved.
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